Showing posts with label Fav Songs of the Decade. Show all posts
Showing posts with label Fav Songs of the Decade. Show all posts

Friday, December 18, 2009

100 FAVORITE SONGS OF THE 00's: 10-1

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And here you have it, the TOP TEN songs of the decade, as opinioned by yours truly. Let me know if the links are troublesome...I have no clue why it decided to double space everything either.

Top Albums to come soon! I was gonna do it next week, but its probably gonna be a busy one, so perhaps the week after.

#10. Careful
by Guster (2003)

This is one of the rare tracks on this list (especially being so high up) that was actually discovered on the radio. I've never heard it there since, so I must have just been in the right place at the right time. I waited long enough to find out who it was, and went right out to buy the album it came on. Since then its become one of my favorite songs to sing along to. I actually can't help it. If its on, I'm singing right along. Doesn't matter where or with whom.



#9. 12:51
by The Strokes (2003)

Like many a tune on this grand list, this song converted me (hard core) to a band I didn't like. I can't quite remember if it was the Tron music video or the Nintendo guitar work that first snagged me. Maybe it was the super catchy pop song disguised as a hipster hook-up track. The impeccable melody? Or perhaps it was the start of the 80's becoming cool again. Could it have been their ever-present New York swagger and ultra-Italiano names? Well, no, cuz one is named Albert Hammond, Jr. It must have been that awesome misheard lyrics Youtube video. No...I made that years later. Hm...perhaps it's not that good after all?


#8. Come On! Feel the Illinoise!
by Sufjan Stevens (2005)

When it starts with a lil' bit o' Charlie Brown piano, you know its gonna be a good one. Following the quiet prelude opener and Legend of Zelda-style build up introduction of the first two tracks, Suf's massive Illinoise album officially kicks off with this genre-blurred extravaganza. I feel it, Suf. I feel it. If you haven't heard this man before, here is a great place to start. There's only one other tune this decade that left me with such an overwhelmingly positive first impression of an artist. Which brings me to #7...



#7. Yellow
by Coldplay (2000)

Buddy Blair and I were chillin' late one night, watchin' a little VH1 or MTV like we did on occasion (at least they still played videos at night back then), and out of nowhere comes this odd video of some goofball walking on the beach... singing a wonderful little pop nugget. I remember both of us being completely floored by it, wondering where the heck it came from. It had been such a long time since we'd heard such a great, straightforward, and sincere tune (If you look up what was ruling the charts at the time, its no surprise.) We didn't know who they were, but we waited patiently until their album came out so we could support these unknown Brits. Turns out they really didn't need our help.



#6. Across the Night
by Silverchair (2002)

My buddy Lee once said this song was "magical." (If you know Lee, that fact should have a little more power to it.) When I think "orchestral rock" this is the first thing that comes to mind and the explosive opening says it all. Dan-o has some pretty impressive bragging rights when it comes to vocals, but never has he laid it down better than he does right here. The idea of the Diorama album was to encourage escapism. With this opening, the door to another world is blown wide open. Magical indeed.




#5. The Lighthouse's Tale
by Nickel Creek (2000)

It almost doesn't seem fair that three of the most brilliantly talented musicians around also have an incredible knack for melody as well. Not that I'm complaining, cuz then we get wonderful alterna-grass (I think I made that up) tunes like this to grace our eager ears. Few songs become "favorites" instantly, most have to marinate over time. But I knew this beautifully sad tune would end up high on this here list the first time I heard it.




#4. Glosoli
by Sigur Ros (2005)

I first heard this while watching its accompanying video. There is such an incredible innocence to this song about a boy on a journey to find the sun, and it's captured perfectly by the video. (And by the looks of things, Iceland has quite the collection of beautiful pixie children.) Its kind of embarrassing to admit but I was nearly overcome with emotion by the end of it. So pure, epic and amazing. And few, if any, do that better than Sigur Ros.



#3. Everything In Its Right Place
by Radiohead (2000)

While it doesn't quite top the list, it's safe to say this song had a bigger influence on me than any other this decade. It quite literally changed who I was. I walked into Graywhale one afternoon, (probably looking for some nu-metal or something), and the clerk began this song as if the gods of awesomeness told him I needed to be purified. I went in a Radiohater, and came out a full on disciple. I had never heard anything like it in my life, before or since. I was amazed at how Thom's voice, sampled and resampled to perfection, could carry so much pure, emotive tension. Many weeped at the guitar's absence. But to me, the title says it all.



#2. Everything's Not Lost
by Coldplay (2000)

It was a toss up between this and #3, but the one thing that puts this higher is its uncanny ability to give me hope in the grimmest of situations. While Yellow was the instigator, it was this song (and its secret song) that eventually convinced me these guys were going somewhere. It possesses that tried-and-tested Coldplay formula that's made them your mom's favorite band over the years. But, there is one thing that sets it apart from their later monster hits; They're not famous yet. As the final track on their first album, it marked the last time Chris Martin sounded timid. No expectations, nothing to prove, nothing to lose. The last time they were brilliant, without knowing it.








#1. The Greatest View
by Silverchair (2002)
As I was going through my large list of decade decadence, I started to wonder what it was about this song that really makes it better than the others. Its not the most original one here, and it doesn't necessarily even have a meaningful personal experience linked to it. Its just always good. It never gets old for some reason. I think a lot of that has to do with the melody itself. It truly is one of my very favorite melodies ever. There's just something about it that I truly connect with. Its meaningful, somewhat nonsensical, it rocks pretty hard, and has a grand sense of spirituality. Silverchair have always managed to capture the soundtrack to my life with each album, and this one song captures the "bursting from your shell" stage so perfectly to me. It kind of became my anthem after the mission. It makes me wanna stand on top of some huge mountain (or perhaps the Titanic?) and just spread my arms.

Thursday, December 17, 2009

100 FAVORITE SONGS OF THE 00's: 30-11

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50-31


#30. Von (acoustic Heim version)
by Sigur Ros (2007)

So, this is an acoustic live version of a reworking of an older song from their first album... anyway... It is breathtaking. I first heard it in an intimate scene on the Sigur Ros tour documentary "Heima," where the band played it live for a small group in a coffee shop or something. Beautiful, emotional, spiritual. Love it.

#29. 'Til Kingdom Come
by Coldplay (2005)

It didn't even get labeled as an official track on the album, but is far and away the best one on it. Originally written for Johnny Cash to perform, after he died they kept it for themselves. I like it cuz it reminds me of Cass. I sang it to her at our wedding luncheon. Badly. Awww.


#28. Life Goes On
by Love Psychedelico (2002)

Once again, Japan takes American style and does one better. In this case, semi-gospel(ish) country rock. Singer Kumi flows seamlessly between English and Japanese and throws in possibly my favorite lyrical line of any of the songs on this list: "Falling to the end of the sky/I'm rolling over the rain/Feeling to the end of the mind/I'm growing over the pain." I don't know if that's a second-language happy accident, or poetic genius. But its great, so I don't care.


#27. Dandelion
by Mongol 800 (2001)

Epic punk-pop done RIGHT. Awesome instrumentation aside, the lyrics are completely in semi-busted English. The reason it works is because of its naive sincerity. Its a punk Japanese kid desperately trying to write a love song to the object of his affection... who apparently only speaks English. He doesn't care if he sounds like an idiot, so long as the point comes across. Heartfelt song that really made an impression on my mission.


#26. Welcome to the Black Parade
by My Chemical Romance (2006)

I really didn't want to like these guys. Although I liked their "Helena" track from the previous album, I wanted to put them in the "usual emo crap" bin and be done with it. And like a punch in the face, this song comes along and knocks me clean out. "Usual emo crap" is a severe misconception, and "epic" is a severe understatement.



by Love Psychedelico (2001)

One thing I love about this group is the interwoven snippets of understandable (rare in Japanese tunes) English. It's just way too endearing when Kumi proclaims, "I wanna be a cowgirl" in perfect English over the bouncy jangle of her acoustic guitar. And when you hear that "I love you, yeah" line, how can you not respond with an "Oh Kumi, I love you too!!!"? Well, you can't really.


#24. Andvari
by Sigur Ros (2005)

Another mood chameleon. Is this an incredibly happy or incredibly sad song? Depends on YOUR mood I guess, and I think they meant it to be that way. No matter your take, what gets me evertime is the wind down of strings from about the half-way point. Undescribable beauty and fragility. Makes you wanna hold your breath for fear of interrupting.


#23. If You Keep Losing Sleep
by Silverchair (2007)

My iPod isn't too old, but this song shot to the top of its "most played" category in '07 and still holds that top position. I had heard early live demos of it before, but nothing prepared me for the monster that would appear on Young Modern. I really don't know how to explain it. Just listen. Loudly.


#22. Viva la Vida
by Coldplay (2008)

All I have to say is, brilliant pop is brilliant pop. And Coldplay makes some of the best of it. If yer sick of hearing it on the radio, then stop listening to the radio.


#21. Sorry Or Please
by Kings of Convenience (2004)

I was pursuing a relationship with a gal that gave me all sorts of mixed signals, and then along came this song. It was EXACTLY how I was feeling at the time. I got over it, and found myself a Cass not a month later! I was instantly converted to this duo and their personal, yet relatable lyrics.


#20. タダイマ (Tadaima)
by Do As Infinity (2001)

I hope you kids are looking up the English translation for some of these Japanese tunes. I didn't really listen to this song until I got home from my mission and could understand more of what it was about. The title is basically translated "I'm home!" With the memory of Japan still fresh in my mind at the time, it was a bittersweet realization that hit me pretty hard. Great lyrics, great tune!

#19. You Make It Real
by James Morrison (2008)

This song hit me in such a personal way when I first heard it. I was so exhausted of school and everything else going on, and it reminded me of what its all for: My wifey Cass. Sometimes all you need is a to-the-point love song to take the words outta your head, and this one does it perfectly.



#18. Pyramid Song
by Radiohead (2001)

Thom's apparently singing of a weird dream he had about the afterlife on this one, and by golly he wants you to see what he saw. This song is such a visual experience to me. Every time I hear it I feel like I can see and feel exactly what Thom did. Its an eerie, atmospheric experience. Yet, there's "nothing to fear, nothing to doubt." (And just try following that time signature...)


#17. In My Place
by Coldplay (2002)

This is the sound of a group on the verge of exploding into the biggest band in the world, and not even realizing it. I mean, sure, they were getting popular, but look at that picture. They have no clue. They didn't even bother doing their hair, or cutting it. Even the bald one. I love that each instrument has its own vital melody to contribute to the grandioseness in this'n.


#16. Gronlandic Edit
by Of Montreal (2007)

I was listening to this in my car the first time I heard it, and I about went off the road when that chorus of Kevins blasted in: "I'll FORGEEEE -(forgeee-forgeee-forgeee)-T! I rewound (can you even say "rewound" anymore?) it 5 or 6 times before I finally finished the rest of this fabulous song. After I put my ears back on my head, I finished the ride home. What a ride that was.



#15. One More Time
by Daft Punk (2001)

It seemed like this song was HUGE in Japan. I heard it everywhere on my mission. And when I couldn't hear it in public, it was often stuck in my head. I still get so pumped every time I hear it! It's an exhilarating dance masterpiece. And by the way...unless you are a French robot... STOP IT WITH THE AUTO-TUNE! Baggy thugs are about as far from French robots as you can be... it must stop.



#14. Man of Constant Sorrow
by Soggy Bottom Boys (2000)

"Hot damn, son! I believe you DID sell your soul to the devil!" When I saw this movie, I knew it would be one of my favorites as soon as I saw the "singin' into a can" scene. One of my favorite scenes (and songs) from any movie ever. Too bad its not really George Clooney singing, (that would be Dan Tyminski of Alison Krauss and Union Station). Altogether awesome!


#13. Sense of Life
by Do As Infinity (2002)

Perfect for a spring/summer anthem. This song embodies this group's overall style into one perfect little pop nugget. Melodious, poetic, upbeat, sexy and sad all at the same time. They are so great at expressing the bittersweet in their tunes. Making instantly likable pop songs with substance while sounding similar to background music for Sonic the Hedgehog is quite a talent indeed. The Japanese have a knack for that. I miss it.


#12. Morning Bell
by Radiohead (2000)

Any song by Radiohead (but especially from Kid A) needs to be heard on really nice headphones first. I really can't fathom how any fan of good music fails to hear the melody in songs like this. The way Thom's voice melds with that bass 'n keyboard combo in 5/4 time is completely stunning to me. Each "instrument" forms around the inherent melody flawlessly and nearly a decade later, I cannot get enough of it. I am still in awe to the sheer tension and beauty of this song.


#11. Tuna In the Brine
by Silverchair (2002)

This could be one of the few songs I really enjoy with food in the title. (For some reason that always turns me off...) But that initial oddball skepticism of mine was washed away within about 2 seconds. With epic orchestrations by Van Dyke Parks, this is much less of a "rock/pop song" than it is a whimsical classical piece. "Over-the-top" and "theatrical" are a couple more appropriate adjectives. Daniel Johns is in top form, singing up and down and all around about breaking out of his shell of depression.
Why do I like it so much? Hell, I dunno. Its inspiring and just friggin' amazing. Do I need another reason?


10-1

Wednesday, December 16, 2009

100 FAVORITE SONGS OF THE 00's: 50-31

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back to 75-51

#50. It's Gonna Be Me
by *N Sync (2000)

Shutup. It's a great pop song! Ok, I admit 99% of why I love this song is nostalgia based. My affection for it probably stems from the short span me and a couple buddies spent "touring" our choreographed lip-sync performance of it at NHS assemblies...and various elementary schools around Davis County (remind me to put that on Youtube..). But it is an enormously catchy pop gem. Admit it. You kinda love it.


#49. Harder, Better, Faster, Stronger
by Daft Punk (2001)

I didn't fully hear this song until years after its initial release, probably around the same time Kanye West aped it for his own song. Kanye's was awesome...when he let Daft Punk do the talking. Mere child's play compared to the goosebump inducing "voice-guitar" solo that bust through on this dance masterpiece.



#48. Love Addict
by Mika Nakashima (2003)

>Hummuna-hummuna-hummuna!<
I didn't even know who Mika Nakashima was when I heard this bit of audio sexiness, but she sure sounded like a babe. And she is. If ya ask me, this throwback jazz tune sounds exactly how she looks. Which is definitely a good thing. That's why seven minutes and fifteen seconds isn't so long after all.


#47. Into the West
by Annie Lennox (2003)

First of all, Howard Shore's beyond brilliant score for the Lord of the Rings trilogy is one of the best scores (THE best?) ever. And when this original song backed the final credits with a sigh of bittersweet melancholy, I was completely mesmerized. The perfect end to an epic.



#46. Sakura Drops
by Hikaru Utada (2002)
I can almost guarantee that anyone who was in Japan around 2001-02 has heard this song before. There's no escaping a monster pop hit, especially when its brilliant. The fact that this gal writes, arranges, and produces her own stuff only adds to the flava'. (Take that, Britney.)




#45. 遠雷- (Enrai)
by Do As Infinity (2001)

Language barrier or not, it is painfully obvious from the beginning how sad this song is (check out the lyrics). I can still remember feeling the heartbreak in singer Tomiko Van's voice when I first heard it. Definitely one of the saddest songs I've ever heard.


#44. Agaetis Byrun
by Sigur Ros (2000)

Another mind-bogglingly beautiful piece of work from the elves of Iceland. The lyrics translation are as casually relaxed and wispy as the tune itself. Some of the best moments of this track are the sprite-like backing vocals that float around Jonsi's own magical whisperings.



#43. My Kind of Scene
by Powderfinger (2001)

This one has narrated my life more than a couple of times the last decade. "Footprints on the other side/remind me where I've been, oh yeah/I'll watch from the other side." The kind of tune that helps ya dust off the shoulders and keep things in perspective.


#42. Like Spinning Plates
by Radiohead (2001)

This scared the hell out of me the first time I heard it, in all the right ways. Rarely has a song been so pleasantly unsettling. I still have a hard time deciding if I like the live version (completely different, but every bit as brilliant) or this one better. I decided to go with the original gangster for the list.




#41. My Favourite Thing
by Silverchair (2002)

The first track off of Diorama to grace my ears was through a video sent to me by the fam while on the mission. Twas this sad little nugget of a "love" song. Its the closest to previous album Neon Ballroom that they get, so it was the perfect bridge to one of my favourite (notice spelling) albums ever.




#40. Cocoon (EXPLICIT CONTENT)
by Bjork (2001)

While Radiohead was frightening me into submission, Bjork was seducing me with the same results. It was the minimalist blippity-blip of the beat that first drew me in and it was the shocking poetic intimacy of the lyrics that kept me there. Apparently the words came straight from a diary page, and you can tell.




#39. Lion Thief
by Beta Band (2004)

Aside from the awesome groove, it was the disguised hilariousness of the lyrics that really caught me on this one. The opening line is one of my favorites ever. Besides, it breaks down into a Stevie Nicks-by-way-of-Destiny's Child-"Bootylicious" beat in the middle. How can that possibly go wrong?? It can't.




#38. You Only Live Once
by The Strokes (2006)

Another good-times bounce from The Strokes. They make quite a bit of those, don't they? This is for sure one of their best. And, "the best" of The Strokes is quite a bit better than most. (Rhyme?Sorta...) Its just infectiously groovy... not sure what else to say about it!


#37. Low
by Silverchair (2007)

On Young Modern, the Chair boys attempt quite a variety of styles and genres without missing a step. This is their 70's summer song. Reflective lyrics, epic harmonies, and a nice honky tonk breakdown make this "Low" point one of Young Modern's highest. Meh heh heh... puns...



#36. Your Song
by Love Psychedelico (2001)

This is such an easy breezy groove-tastic tune. My first thought upon hearing this: There are so many American/European bands that have tried to nail this typically western sound the past decade, and it amuses my soul to see a Japanese group putting them all to shame with a song like this. And it sounds effortless.




#35. I Will (No Man's Land)
by Radiohead (2003)

Not even two minutes in length, nothing but subtle guitar and layered Thom harmonies. Breaking it down, this seems like it should just be an interlude of filler material between songs. But its the haunting lyrics, the brilliant aforementioned harmonies and a saturation of pure tension that make this my favorite song under two minutes ever, and ironically, the best song on the album it came from.
(Trivia: the 'Head song at #42 was born from playing an early demo of "I Will" backwards!)

#34. Island in the Sun
by Weezer (2001)

This is stapled to the great summer I had before leaving on a mission. Just out of high school, hangin' with friends, summer love interests, family vacations, and not a care in the world. At the same time, there was an undertone of knowing it wouldn't last while wondering what was ahead (in the song, as well as the time I've associated it with). Growing up was made just a little easier with songs like this.



#33. The Scientist
by Coldplay (2002)

The video nearly made me cry when I first saw it. The fact that the song itself isn't exactly "cheery" doesn't help either. One of the few songs I've actually taught myself to play on the piano (not like its incredibly hard.)


#32. Since U Been Gone
by Kelly Clarkson (2004)

We've all heard it. But can you recall where exactly you were the FIRST time you heard it? I remember sitting in the passenger seat of my buddy Ben's car at a gas station when this came on the radio. I can honestly say I was blown away. I had to know who it was, because I wanted to crown them the new queen of pop. I was embarrassed to admit my adoration, until I noticed everyone else loved it too.


#31. Weird Fishes/Arpeggi
by Radiohead (2007)

It was a slow burner, but it eventually claimed its place as my favorite song off of In Rainbows (the 3rd or 4th song to do this...). I love the intense build-up and the backing "heeey-aaaaah"s at the climax. I think it was seeing it live on Jools Holland that officially bumped it up. Goosebumps every time.




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