Kidchair

Favorite Songs of 2011

2012-01-19T22:10:00.002-07:00

Figured I may as well share some tunes and get my favorite songs of last year off my back. Feel free to download by right-clicky, or just push the link and stream the goodness. Get a taste while the government still lets you. Then go buy the albums and support art. Either way, please enjoy.

Some great tuneage to come out this year, hard to order things like this. I figure 40 was a good place to stop. Many artists are repeated, and some of my favorite albums of the year aren't even represented. Oh well. Thousands of songs and these were my very favorites this year. In fact, it really only starts being officially "ordered" around 25 or so, but who cares right? GO.

40. Revolving Doors
by Gorillaz

39. Godless Brother In Love
by Iron & Wine

38. Hex Girlfriend
by Neon Indian

37. Colomb
by Nicolas Jaar

36. Weekend
by Class Actress

35. Unluck
by James Blake

34. The Wall
by Yuck

33. Paradise
by Coldplay

32. My House
by Hercules and Love Affair

31. Belong
by Pains of Being Pure At Heart

30. Moon
by Björk

29. Radio
by Rapael Saadiq

28. Abducted
by Cults

27. Rubber
by Yuck

26. Päivät Valuvat
by Regina

25. Baby Missles

by The War on Drugs

A lovely Springsteenian piece of adrenaline.

24. Bizness
by tUnE-yArDs
Probably be higher if it was still as enjoyable after the initial shock wears off. Still great though.

23. Eyes Be Closed
by Washed Out
This beat was in my head constantly this year. Space-tastic groove.

22. Last Night At the Jetty
by Panda Bear
Always bringing the harmonious psychedelia. Sounds like riding a small row boat on a cloud of cotton candy. With drugs.

21. Helplessness Blues
by Fleet Foxes
Don't be sad. Just listen. Function like a cog.

20. Lotus Flower
by Radiohead
Because it's dub-awesome and Thom does a jig.

19. Midnight City
by M83
Synths, sax, and sass. Sounds like a Tuesday night to me.

18. Dinner
by Blood Orange
His best beat, his most addicting Prince imitation, and it's not even on the album.

17. Amarillo
by Gorillaz
"Put a little love into my lonely soul." - 2D
A wonderfully sad bit of Gorillaz gorgeousness.

16. (I Wanna Live In A Dream In My) Record Machine
by Noel Gallagher's High Flying Birds
A power ballad in the vein of them old school Oasis classics. Still love you, Noel.

15. Michicant
by Bon Iver
On an album that mostly ditches the subtlety of his first record, it's this sparse little nugget that pleases me most. But you really do need to hear Beth/Rest as well. So there you go.

14. Shuffle a Dream
by Little Dragon
I never use the word "phat" when describing music, but that's really the only word possible in this case.

13. Artists' Valley
by Bibio
Damn, I used my "phat" quota already...

12. The Edge
by CANT
Jazzy, hip-hoppy, synthy, flutey, bassy, smoothy.
But you don't have to take my word for it. Da-nuh-nuh!

11. Separator
by Radiohead
Boy, do I love when Radiohead decides to make us some good slow jams. Convincing the wife to make out to Radiohead is that much easier now.

10. Under Cover of Darkness
by The Strokes
Not that the new album is terrible, but they used to make entire albums full of these. I'm just sayin'.

9. Before
by Washed Out
I can't understand a word he's saying. But I don't need to. I get it.

8. She Found A Way Out
by CANT
The aching guitar riff that carries the pain all the way to its blaring climax is the aural equivalent of the heartbroken lyrics around it. Perfection.

7. Ice Cream
by Battles (feat. Matias Aguayo)
It kind of helps to have the visual accompaniment of the music video with this one. It looks exactly how it sounds. Which is awesome. (Be warned, it has some very PG-13 ladies)

6. Go To Hell
by Raphael Saadiq
Glorious power gospel like they used to do. I dare you to try and dislike this song. If you do dislike, go to hell.

5. I Won't Let You Go

by James Morrison

Every album he puts out, there's at least one track that completely soothes my hidden desire for that ultimate pop song. Doesn't matter how cheesy it is, the man can SANG. And sang he does. I'm just waiting for the day we all find out there's actually a hearty black man dubbing over his records. Bring it home, Jimmy.

4. Buy Nothing Day

by The Go! Team (feat. Bethany Cosentino)

To be fair, half of Rolling Blackouts could've made this list. But this is a decent shout-out representative. This song, for whatever reason, hits my nostalgia button with a giant sledge hammer. It's the sound of your greatest adolescent birthday party. The one where you first started noticing girls as GIRLS. Pure, uninhibited, no-nonsense childhood bliss.

3. Shook Down
by Yuck
If "Buy Nothing Day" is the sound of childhood, "Shook Down" is the sound of the awkward teens. You've already noticed girls as GIRLS, but now you notice they can break the hell out of your heart, too. It's the sound of looking back at mid-90's me and thinking "Don't worry, kid. You'll get over it." The final line is George McFly at his most genuine: "You could be my destiny/you could mean that much to me." And the drummer looks like Toad from Super Mario World.

2. Give Up the Ghost
by Radiohead
One of the only songs on this list to truly give me goosebumps the first time I heard it. Imagine sitting around a campfire singing a tune with some ghosts. But they're ghosts of people you know. So, instead of being scary, it ends up being hauntingly beautiful and kind of sad. This one also had a bit of a personal attachment (aside from just being Radiohead), as it sort of became my personal theme song to the tragedy of the Japan earthquake earlier this year. Feeling so close to Japan it was an event that really affected me. Once again, Radiohead becomes the soundtrack of my life.

1. Lindisfarne I and II
by James Blake
Yeah, it's two songs technically. But, only because they're separate tracks on the album. Nobody has any business just listening to one or the other. Even the video fused them together. I don't know how to describe this other than it's probably the most unique and emotional "pop" piece I have heard in years. I found myself listening to this same 5min43sec over...and over...and over. I never do that, I can't stand doing that. But I did that. I couldn't get enough. James Blake knows how to fill every space (even the ones without notes) with tangible emotion. Minimalist perfection. If the whole album had been close to this caliber, it would have blown away all others. It wasn't. But because of Lindisfarne, I am eagerly awaiting this young man's inevitably wonderful career.

Well there you have it. I think I should give a shout out to three songs from years passed that I didn't discover until this year that absolutely ruled my iPod:

Feel It All Around by Washed Out -
might have been #1 if it came out this year.
Nightcall by Kavinsky and Lovefoxxx -
completely made the Drive soundtrack, but was officially released in 2010.
Boy 1904 by Riceboy Sleeps -
I had the album when it came out, but it didn't really hit me until this year. The sound of peeking into heaven when nobody is looking.

Da-nuh-nuh.

Top 10 Albums of 2011

2012-01-02T18:13:00.001-07:00

Don't spoil it...
30-11 HERE!
READ ON. You know you want to.

(MAKE SURE YOU SWITCH THOSE YOUTUBE PREVIEWS TO 360p!)

#10. Mind Bokeh

by Bibio

Unlike some other album's slow rise to 2011 prominence, Bibio has hovered around the 10 spot for most of the year since its March release. While not as brilliant or cohesive as previous effort Ambivalence Avenue, it does house some of the most deliciously produced beat driven nuggets you're likely to hear. Unfortunately, an occasional awkward misstep or two disrupts the flow and keeps the album from reaching the top. The guitar driven "Take Off Your Shirt," for example, isn't exactly terrible, but it has absolutely no logical reason to be here. Good thing tunes like "Wake Up!" and "Artists' Valley" help you forgive and mostly forget. The kind of genre-mash grooves your headphones will love you for.

#9. Era Extraña

by Neon Indian

Though I was a big fan of the first album (especially after seeing their lusciously psychedelic live show), I was initially lukewarm on this sophomore effort. It wasn't until I saw the movie Drive and subsequently became obsessed with the film's nostalgic cool and hazy melancholy that I noticed a strikingly similar emotion coming from Era Extrana. The more I explored this realization, the more I came to absolutely love this album's heart thumping, mind numbing, electro-shoegaze. Its exceptionally pleasurable on "Fallout," as Alan Palomo repeatedly laments "Please let me fall out of love with you..." until the song fades out slowly like a boom box being dropped into the ocean. At least it sounds like that's what he's saying. Not being able to clearly make out the words is part of the appeal.

#8. Stone Rollin'

by Raphael Saadiq

Ah, how sweet it is. I sure do love that Motown sound. This is the kind of R&B flavor I prefer these days. While a few artists (particularly The Weeknd) are doing wonders with modern twists on the genre, they're still a bit too "bitches n' hoes" for me to fully digest. But Raph brings the throwback so gloriously once again with this album, and I really do appreciate it. The party going down on the cover is perfect. They look old school, but the comfortable racial mix of folks including the hip Nicki Minaj-ish chick up front seem to throw it back into 2011. (Not to mentoin Rajon Rondo behind her.) There's a moment on standout track "Radio," at about the 2:34 mark, where Raph belts out an epic James Brown yelp that sends my mind into euphoric bliss. In fact, that moment alone might be enough to solidify it comfortably in the top ten. That and a cameo by Yukimi Nakano ("Movin' Down the Line") will always get you far. Speaking of Yukimi...

#7. Soita Mulle

by Regina

I can't even remember how I came to know of this group now. They just sort of appeared. And the next thing I knew, this Finnish dream pop album was gracing my top ten with it's beautifully melodic sweet nothings bouncing about. I'm pretty sure this is the highest ranking foreign language album (excluding Sigur Ros and a handful of Japanese albums) that I've ever had. There's a distinct mood of nostalgia in tunes like "Päivät Valuvat" that make my emotions remember something my mind can't. The audio equivalent of a fuzzy but happy childhood memory. It is a shame the cover has such misplaced and wretchedly orange typography displaying the album title. Not shameful enough to keep me from loving the hell out of this thing though.

I think it was Matt Lorke that showed them to me. Thanks, Matt.

#6. Ritual Union

by Little Dragon

Like many, I didn't know of this group until Yukimi's two euphoric appearances on my favorite album of last year, Gorillaz's Plastic Beach. Her voice is a magnet to my soul. Naturally, an entire album of such heaven can't be bad, right? RIGHT. With a slightly less straight forward approach than previous album Machine Dreams, Yukimi kicks it up a notch in the vocals department while the band dub-steps alongside her ever so slightly. Yukimi has an amazing ability to roll around tracks like "Please Turn" with a subtle yet soulful ride on the offbeat. Elsewhere, cuts like "Shuffle A Dream" and "Crystalfilm" perfectly display the range of emotions on hand with the synthy romp of the former and spacey minimalism of the latter. The album is a smooth Swedish karate chop to the groove gland. And I very much enjoy it.

#5. Within and Without

by Washed Out

Boy am I glad Washed Out dropped on my head this year. I happened upon this album's fantastic lead single "Eyes Be Closed" and was immediately intrigued. Seeing that an official album was still a month or so away, I searched out Ernest Green's previous work and like a punch in the face, "Feel It All Around" from Life of Leisure became the most played song on my iPod this year. I had no clue who this guy was, and almost overnight his first full length was my most anticipated album of the summer. Upon arrival, I was slightly disappointed at the album's easy going smoothness. But then I realized it wasn't simply smoothness..it was SMOOVENESS. That's right, this album is SMOOVE. Persistent beats with a hypnotic delicacy highlighted by Greene's subtle melodic whispers. Its a direct link to whatever it is that produces endorphins. To put it simply, it sounds exactly like the cover looks.

#4. Yuck

by Yuck

While a couple groups hinted at 90's revival this year, Yuck decided to smack you right in the face with a 90's tennis racket. Luckily for them, I happened to really enjoy this era of rock, and thus really...REALLY...enjoyed this album. And judging by the attention they got in 2011, I wasn't the only one. Gritty, fuzzy guitars chug along as if they didn't even know the last 10 years of laptop rock ever happened. My Bloody Valentine ("Rubber"), Pavement ("Get Away"), a hint of old school Smashing Pumpkins ("Operation")...these are all groups that could be credited with influencing Yuck. Still, they do bring a slight modern flare to it all. In fact, the group I first attached to wasn't a 90's band, or even a real band at all: Sex Bob-Ombs anyone? When I saw Scott Pilgrim vs. The World and soaked in its monstrously enjoyable soundtrack (which cracked into my top 20 last year), I couldn't help but think "Man, when are bands gonna start sounding like again?" Right now, it turns out.

#3. Dreams Come True

by CANT

For whatever reason, my love for Grizzly Bear's Veckatimest has dwindled slightly since it sat pretty at #2 on my '09 list. I think its Daniel Rossen's voice. Good thing this side project by that band's bassist/all-star producer (with help from Twin Shadow) is nothing like it. In fact, though it is more of an experiment in the electronic side of things, it has more in common with Yellow House which, on the other hand, has aged magnificently since '06. Similarities lie in the understated melodies, subtle shifts in form, and a dream-like atmosphere. While opener "Too Late, Too Far" has a Prince-meets-Grizzly Bear vibe, songs like "Believe" let Neon Indian take a stab at chamber pop with extremely pleasing results. But the album truly soars on "She Found A Way Out," which starts out quiet enough focussing on acoustic guitar and Taylor's incredible voice (eat it Rossen). But it soon crescendo's into a wall of sound and Taylor capping a doomed relationship (his own?); "She finally found a way out."A beautifully sad, wonderfully produced album of experimental pop.

#2. The King of Limbs

by Radiohead

Dangit...I sure do hate admitting Radiohead didn't have the greatest album of the year. Even if it was close. Like everyone else, I was let down by the King of Limbs at first. But like all of their albums, after a little marination in my skull the rewards have been plentiful. Yes, Radiohead is my favorite band of all time, and I have a slight bias. People tell me, "You wouldn't like it as much if it wasn't Radiohead." On the contrary, I think we all would like this album much more if it WASN'T. This album's reception has suffered because of the name it's attached to and the back catalog its up against. No, its not even close to the caliber of In Rainbows. In fact, as far as Radiohead goes, it is sort of "just ok." But the fact is (and I'll argue this until I die), a mediocre Radiohead album is still better than almost everything else. In my opinion, it's better than all but one album! As always, the production is amazing, the tunes are intricately layered, the overall flow is impeccable, and Thom's voice is as good as ever. Listen to "Bloom" and "Morning Mr. Magpie" loudly in great headphones. Hell, listen to the whole thing loudly in good headphones. And be sure and watch the From the Basement live special. The bonus tunes added, and the live versions of the songs I though were boring at first ("Little By Little", "Codex") are incredible. Speaking of the b-sides, every time I hear the gems that didn't make an album, I'm reminded that Radiohead are amazing editors of their material. Radiohead still have yet to make a song I dislike since their debut.

#1. Rolling Blackouts

by The Go! Team

This will surprise many. It sure has surprised me. And like I said, it was close. It wasn't until I started doing my "math" and looking at all the pro's and cons and analyzing my inner soul that I let myself admit that this album completely kicked my trash from start to finish, the entire year. In fact, I first heard it at the end of 2010 (thanks again Matt), so one might say it's had the advantage of time. Then again that could be a disadvantage if the album isn't solid. There aren't many surprises here if you've heard the band before. But while they don't change the formula too much from album to album, there isn't another band like them that I know of. This album is a front to back compilation of nearly perfect pop. "Secretary Song" throws me back into the streets of Tokyo (and I thought that before I saw the video), while "Ready To Go Steady" and "Buy Nothing Day" makes me wish Cults would've tried just a little harder to make their own punk-meets-Motown formula this addicting. About five songs in you start waiting for the next track to be a dud. But it simply never happens. Just as you wind down from the previous track, the next socks you right in the gut yet again. Though I loved the first, I didn't hear their second album. And I wonder if that "rest" from their barrage has given Rolling Blackouts more pack to its punch. Perhaps it's because it sounds like cities in Japan look, perhaps it's the fact that it sounds like it could be a greatest hits of my favorite Saturday Morning Cartoons themes... not sure. Whatever it is, I can't get enough.

Well, there you have it. If'n yer lucky, I just may make my songs and movies list as well.

Runner's-Up:
Smother by Wild Beasts
Tom Boy by Panda Bear
Wasting Light by Foo Fighters
Fluorescence by Asobi Seksu
Kiss Each Other Clean by Iron & Wine
WHOKILL by Tune-Yards
Passive Me, Aggressive You by The Naked & the Famous
Port Entropy by Shugo Tokumaru
Odd Soul by Mutemath
Audio, Visual, Disco by Justice

Ressurection: Albums of 2011.

2012-01-01T01:52:00.002-07:00

Behold.

Happy New Year.

I have resurrected this Bloggish Realm.

Why? Well, I want to talk about stuff online, of course. But I want to make it look decent too. To the best of my ability, anyway. Facebook is too bland. I'm sure there are plenty of better blog sites that give me more control and what not. But, I have this one already, and I can't be bothered with all that other stuff. So, for now, I shall press forward.

Again.
And with that, what better way to start anew on this New Year's day than with my...

You guys know how I like my lists. 'Specially them music listations. So here are the albums that tickled my fancy oh so nicely this past year (30-11 first, so as to keep from getting to winded at once).
I tried something I've never done this year: I attempted to mathematically justify my positions.

I took these albums, assigned them a point each (out of 10) for the following:
Creativity (does it push them boundaries?)
Catchiness (do the songs get in your head and never leave?)
Consistency (is it cohesive and constantly delivering in the first two categories?)
Connection (after all that, was it an enjoyable experience?).

Then, I took the average. Its the most math I've done in years. The numbers themselves aren't very interesting, many were "mathematically" tied (because of that I probably won't show them here). But this gloriously nerdy approach helped me personally eliminate any possible bias and made it a little easier to "see" the pros and cons of each while I decided which albums truly kicked my arse.

That's right, I am a true music nerd.

(Also, if you so desire, on Facebook I did post some playlists of albums I enjoyed this year. A sample of all these are included in such. Linky: FACEBOOK PLAYLISTS)

With that, lets get to it already...

#30.
Mylo Xyloto
by Coldplay

Pleasantly surprised by the shift in style here. Still, it is the first time a Coldplay album hasn't ranked in my end of year top ten. Despite that, I'm still not afraid to admit I like Coldplay. But can we all just agree that Rihanna needs to retire soon?

#29.
Hardcore Will Never Die, But You Will
by Mogwai

Mogwai doesn't change the formula too much with each release. But there are some uncharacteristically upbeat numbers here that are palate cleansing. Chomp!

#28.
Coastal Grooves
by Blood Orange

Worst album cover of the year. But a lovely Prince-ish jive helps shake that outta yer head. The singer is black, by the way. (That's only interesting after you hear him sing.)

#27.
Zonoscope
by Cut Copy

Synths. 80's. Long songs. Dance.

Like.

#26.
Noel Gallagher's High Flying Birds
by Noel Gallagher's High Flying Birds

Hey, Noel! It kind of makes me happy that Noel's post-Oasis album wipes the floor with Liam's. Noel always seemed a nicer chap. While Liam took Oasis's grit, Noel takes the epic melodies and power ballads. Follow where you will, Oasis fans.

#25.
Hurry Up, We're Dreaming
by M83

This one is still growing on me, actually. The epic cheese of the 80's is represented here in a very hip, of-the-moment way. Quite a few albums taking cues from their dad's Adult Contemporary records this year.

#24.
Angles
by The Strokes

I admit I expected much more from this album when it arrived. But, thankfully, "just ok" Strokes is still pretty good. Probably their most eclectic album, which deserves props.

#23.
Belong
by The Pains of Being Pure At Heart

Expected more from this one too. Its still fun, but not as genuine as their first album. I sure do dig the Pumpkins sound that tends to emerge, though. A nice splice of great 80's and 90's sounds.

#22.
Cults
by Cults

60's girl groups. Power-pop choruses. Hair flipping. Sexy, but not sleazy. Thumbs up, heads up.

#21.
Helplessness Blues
by Fleet Foxes

Everyone seemed to love this album much more than I did. I'm still trying to figure out why I don't love it more. But, for now, I do enjoy it enough to put it at #21. Great old-school grooves and harmonies reminiscent of the best 70's folk rock groups. Its probably a good idea to have it higher on your own list.

#20.
Blue Songs
by Hercules and Love Affair

Really odd, flamboyantly gay, and infectiously groovy dance tunes. The group sounds best when they ape the sounds of 90's house music, which they do on occasion here. Sega Genesis...Streets of Rage.

#19.
Gloss Drop
by Battles

One of the most unique sounds around town. I really have no idea how to explain this band's brain-melting bombast. They will beat you up with their awesomeness, if you let them. DO IT.

#18.
Rapproacher
by Class Actress

Extremely fuzzy and extremely good synth pop. Hearing stuff like this really comforts my soul when compared to the excrement that's passed as "pop" on the radio. Take note, Mrs. Perry. I mean, stay hot...but take note.

#17.
Underneath the Pine
by Toro y Moi

Sometimes you just need a soundtrack to chillin' on the beach. Especially when you live in Utah. And the guy that'll give it to you is named Chazwick Bundick. Yes...he is.

#16.
Space Is Only Noise
by Nicolas Jaar

A chill, refreshingly strange collection of ambient electro goodness. There's really not a lot to it, but it does get in your head and stay there for awhile. Too bad Nicolas Jaar isn't as cool a name as Chazwick Bundick.

#15.
Drive -
Original Motion Picture Soundtrack
by Cliff Martinez and Various Artists

I usually don't count soundtrack/scores on lists like this, unless they're THAT good. The only thing keeping this from hitting my top ten is the unfortunate fact that the five (glorious) non-score songs weren't originally recorded for the movie itself.

#14.
The Fall
by Gorillaz

(2-D's solo album?) Streaming online Christmas of last year, but saw a physical release in '11, so I count it. A somewhat melancholy electro-pop tribute to the USofA, and an unfortunately overlooked gem of a recording, completely done on an iPad.

#13.
Biophilia
by Bjork

My favorite of her's since 2001's Vespertine. A smooth concept album that has the sound of small creatures doing big things. Like the score to an artsy nature documentary. What a true arteest. And a weirdo.

#12.
James Blake
by James Blake

Tons of respect for this dude. I don't think I've ever heard "pop"(?) songs like this. Imagine what singer-songwriters in the Bob Dylan vein might sound like in 3011. Electronic music with emotion as its backbone. If the second half were as good as the first, this album would be #1, no question.

#11.
Bon Iver
by Bon Iver

For awhile I had this as the sure-fire winner of 2011. But for whatever reason it lost some of its luster. Still, an incredible album. Justin Vernon has an incredible voice and the bravery to break through the usual (and boring) limitations of indie-folk trends. And I'm so pleased at how comfortable "Beth/Rest" would fit on a Kenny G album.

TO BE CONTINUED...
HERE

For my Lovely Wife

2010-08-19T00:40:00.001-06:00

It was for her 25th birthday...

Review by request! (Continued)

2010-03-09T11:41:00.001-07:00

BROKEN BELLS

BROKEN BELLS

Broken Bells (for those that may not know) is the collaborative effort of James Mercer from The Shins, and mega-ultra-super-wam-bam-thankya-mam producer Danger Mouse. This is a dream team of epic proportions. I mean The Shins are The Shins. Poptastic and friendly, easy to dance to. But I'm actually an even bigger fan of Danger Mouse. He's probably my very favorite producer right now. Everything the man touches turns to gold: Gorillaz (Demon Days), his Danger Doom project with MF Doom, Gnarls Barkley, Beck's Modern Guilt, The Black Keys' Attack and Release.... etc. etc. etc. This particular collab started with his recent Dark Night of the Soul project which featured two James Mercer tracks. The two thought it would be a good idea to do an album of their own. And why not?

The result is very pleasant indeed. Its fun that this should be released the same time as the new Gorillaz, as Danger Mouse was a huge part of why I loved Demon Days. I like how Mr. Mercer's beach-pop melodies meld with Danger Mouse's rock-hop production style. The Shins last album (Wincing the Night Away) was my favorite of theirs, and this album possesses a bit of the beat- driven pop that I liked about that one, as well. The immediate stand-out to me was "The Ghost Inside" with James in full falsetto goodness, and a total Backstreet Boys beat behind it (seriously...enjoy). The harmonies come out in full effect in final track "The Mall & Misery" and the beautifully spacey "Citizen," the end of which floats off into a hypnotizing hum of harmonious heaven. (You know you loved those "h's.")

To conclude, this is a very enjoyable listen. At times it can drag ever so slightly, but not enough to kill the mood. Its definitely one that'll get better with time and repeated listens. A variety of moods and grooves to suit anyone. Danger Mouse always brings his game, the end results just depend on who he's working with. So, if you are a fan of The Shins you'll love it, even more so depending on how much you loved their last album I think. Its a great companion album to the new Gorillaz to prep you for some warm weather.

Pretend I gave numerical ratings again: 7.5/10 (with a little room to grow)

Review by request!

2010-03-08T19:19:00.002-07:00

I don't post reviews of things whole lot these days. In fact, I don't post much of anything a whole lot these days... (school is almost over, school is almost over).

But, tomorrow (Tuesday) two highly anticipated and somewhat similar albums are released. One of them is an album I've been dreaming would appear for the past five years or so, and the audio (and visual) gods have finally blessed us. That fact, along with a couple requests that I review said albums, have prompted me to officially "POST" my obviously high-esteemed opinions once again. So, since time is scarce, I shall get to it.

First lets get to the (wordy) meat first shall we? (I'll get to the other one later) Drumroll...

GORILLAZ
Plastic Beach

Its been a few years since I've been this excited for any album. I am still amazed at how Damon Albarn and Jamie Hewlett have managed to create such a brilliant audio-visual experience. Gorillaz is the perfect art-as-entertainment entity. Last album Demon Days is one of my favorites ever (#5 in my fav's of the 00's) and it was unclear until recently if a third album would even see the light of day. I mean, its just a goofy side project right? Well, in a decade of nothing but brilliant side projects, Mr. Albarn has proved to be one of modern music's most innovative renaissance men. I was wetting myself with anticipation seeing all the juicy video snippits they've been teasing us with...but is it actually any good??

Thankfully, Plastic Beach is flat out fabulous. I was half expecting it to be a let down. Not as much musically, but more so visually. I had read that Jamie Hewlett was "bored" of drawing these characters and worried he wouldn't get into it, but he must have found the right inspiration, because the visuals are just as astounding as the music (check this.) I think after completing the Monkey: Journey to the West project, it really invigorated them both with new ideas creatively. In fact, it is pretty obvious to see the influence of that project to both aspects of Gorillaz.

While it lacks an instant radio hit like "Clint Eastwood" or "Feel Good, Inc.," it's full of great, smart pop tracks. What I appreciate about the album is it, like Demons Days, is a cohesive unit. The tracks flow from one to the next seamlessly, which is always refreshing in today's playlist world. Despite the abundance of glory, I find myself having a hard time choosing a favorite song. Its almost completely void of the darker reggae/dub undertones of the two previous albums, but instead focuses on shinier, electro-pop nuggets (much like the Monkey project in ways). But, the collaborative hip-hop/rock/dance genre mash we've come to expect is as epic and gloriously over-the-top as ever.

It is, of course, a concept album. But, don't be afraid of that. Its not tree-hugger propaganda. They have made sure that the "message" doesn't get in the way of the form, but rather sets up a foundation to build outrageous tunes like "Superfast Jellyfish," a "jingle" for a futuristic frozen breakfast product. Damon also gets pretty intimate and personal on the 80's sounding dance balladry of tracks like "On Melancholy Hill" and "To Binge." The album has an overall upbeat mood and is the perfect soundtrack to chase winter right outta town. Finally.

So, in summary, this is already a high contender for one of the best albums of the year, in my opinion. If you appreciate what Mr. Albarn and Mr. Hewlett have been doing the last decade, it should fit your fancy. Its not quite as epic as Demon Days to me, but then again I tried to make sure I didn't expect it to be. Still, its a different enough creature that I'm sure there will be those that love it even more. Anyways, I've rambled on enough. If I had to give it an official "rating," I'd give it 9/10. But....whatever.
P.S. - I do suggest getting the special edition; suh-weet pictures, bonus online content, and a "Making Of" DVD which is pretty fun to watch.

Next up...
BROKEN BELLS

TOP 10 FAVORITE ALBUMS OF 00's

2010-01-02T12:51:00.004-07:00

BACK TO 100-76

BACK TO 75-51

BACK TO 50-26

BACK TO 25-21

BACK TO 20-11

BEHOLD 10-1

(written explanation to come soon)

FAVORITE ALBUMS OF THE 00's: 20-11

2010-01-01T10:42:00.004-07:00

Well, being at my parent's house, I forgot to bring the charger for my computer. Thus, the machine died, and I'm not able to post the written explanation of my Top 20. (UPDATE: Explanations posted below video)

BUT...

That's ok, because I had planned to feature some audio/visual components as well! I figure it helps in appreciating it more than my words can anyway. So, for now, enjoy this short video, and I'll post a written response later.

BEHOLD! 20-11!

#20. Odyssey Number Five

by Powderfinger (2001)

This album helped soundtrack my life on multiple occasions this decade. From the hopelessness of "These Days" to the hopefulness of "My Kind of Scene." Reuniting with a far away loved one in "My Happiness," and losing love in "Whatever Makes You Happy." Its all in there, the ups and downs. I sort of decided this group is the Oasis of Australia. So, I guess this album held me over long enough until Oasis finally gave us Don't Believe the Truth. Still, I never did get another Powderfinger album. I guess part of that was the difficulty of finding them in the states. These days I don't have much excuse though, guess I better get on that.

#19. Citrus

by Asobi Seksu (2006)

Citrus has the grand title of being the first album I purchased as a married man. I bought it the first day of my honeymoon. Granted, I didn't get a lot of time to listen to it until we came back, know what I'm sayin (nudge nudge Hey-O!) It's also the highest album on this list without a single track in my top 100 songs. But that's not because they aren't good, in fact quite the contrary. Similar to Clap Your Hands (another album with no songs on that list), my love for this album stems from its completeness as a continuous, flawless unit. Every single song is good and flows smoothly into the next. Not any one profoundly affected me more, but each contributes perfectly to the overall gorgeous mood of this masterpiece.

#18. A Rush of Blood to the Head

by Coldplay (2002)

When I worked at the music store, occasionally we'd have some thugsters roll in and their first question was "Ya'll got hip-hop?" every single time. Every time, but one. One day, two thugz waltz in, and before I can point them to the hip-hop section, one says "Yo, ya'll got Coldplay?" Admittedly surprised, I led him to Coldplay where he grabbed Rush of Blood. "Yeah man I LOVE dis'n!" he exclaimed. That's basically what Coldplay did with this album. They went from quiet club act to stadium sized thug pleasing juggernauts. When you listen to it again, it makes total sense. This album is amazing. It's funny to realize they've only had two album since...seems like they've been conquering the world a lot longer.

#17. Room On Fire

by The Strokes (2003)

The Strokes came out just before my mission, but I didn't know much about them until I got home. Since I didn't really see the hype machine that had paraded with Is This It, I think I was able to take Room On Fire from a completely non-biased stance. I hadn't glorified their debut yet. All I did was listen to the two and end up wondering why everyone thought Is This It was so great. Its good, but cultural impact aside, I truly thought... "Is this really it?" I found Room On Fire to have more groove, more emotion, more Nintendo-guitars, more fun. It magnified what they started to perfection. I think if it came first, more would agree.

#16. Amnesiac

by Radiohead (2001)

This was the first full album I tried to download before its release. I had just been blown away by Kid A and figured, "I'm leaving on a mission soon, and I HAVE to memorize this before I leave!" I listened to it a ton, and thought it was... just ok. As release date drew closer, I started hearing clips elsewhere and realized the "album" I had downloaded was a fake! To my surprise (and relief) Amnesiac ended up being completely different. I can remember going to a midnight release, and then listening to it all at once on the couch and once again being amazed by Radiohead. "Packt Like Sardines In A Crushd Tin Box" says it all: "You realized you were looking in the wrong place." Indeed I was.

#15. The Greatest Hits

by Love Psychedelico (2001)

I was visiting a neighboring area on my mission one evening, riding in a car with some church member I didn't know, and listening to some groovy tunes. It sounded to me like maybe Sheryl Crow kicked it up a notch, but when I asked, the dude informed me it was "Rabu Saikederico." I told him I thought it was awesome, and right there he took the tape out and gave it to me. (That's Japan for ya!) I gave 'er a lil' listen and decided I needed to buy this group's albums. So I did. What an amazing band. An aggressive and impressive retro-electro-country-rock n' roll epic, with swagger to boot. Why else would you name your first album "The Greatest Hits?"

#14. Parachutes

by Coldplay (2000)

The reason I like this first album so much is because it really is the only one of their albums I can just sit and listen to start to finish without wanting to skip around. All their albums have amazing songs. But this first, simple, humble effort left the biggest impression on me. When I put them all together this is the only one that doesn't sound like "Coldplay" as we know them now. It matches in intimacy what they've produced in grandiosity on albums since. They aren't trying to be the biggest band in the world here, they're just sharing a few tunes.

#13. Hail to the Thief

by Radiohead (2003)

I bought this album the day it came out. In Japan. I went back to the apartment with the same Elder Fuji who had introduced me to some other good stuff (see #47 and #49) and we listened to it start to finish. We both sat there, a Nihonjin and an American, enjoying the same glorious band from England. As it ended, our companions (whom had switched for the day) came home and we quickly shoved in some MoTab or something. I sent the CD home knowing if I kept it there I'd never get anything done. But for the rest of my tenure in Japan, songs like "2+2=5," "Backdrifters," and "There, There" replayed through my mind as if I had recorded them in my head. One the band's darkest, strangest, and most amazing albums.

#12. Come on feel the Illinoise

by Sufjan Stevens (2005)

I bought this because every blog on the internet said it was the best thing since processed sandwich meat. So, I wanted to see what the big deal was. My eyes popped right out of my head as it graced my ears on the way home. Its rare that an artist you know nothing about can have such an overwhelming first impression the instant you hear them, but when it happens it is magical. Part of what amazed me was reading in the notes that Suf himself played like half the instruments. And when you can hear just about every instrument under the sun, it really tends to impress a guy. Still waiting for the official follow up...I'll wait as long as I have to.

#11. In Rainbows

by Radiohead (2007)

As a Radiohead fanatic, I about had an aneurysm when they announced this baby was to be released a week after anyone knew it existed. I think we all know that story; pay-what-you-want download, etc. etc. (I think I payed a couple bux, then got me the special box set for Christmas). In Rainbows was such a breath of fresh air. Smooth and relaxed, jazzy and groovy. It's the first Radiohead album where the band feels like they're truly just going with the flow and letting it happen. Since they're so friggin' amazing, they can do that and still make a classic. This really is a Top Ten album...but the line has to be drawn somewhere and I don't want ties. I expect as time goes, it'll shove its way up.

FAVORITE ALBUMS OF THE 00's: 25-21

2009-12-31T15:21:00.013-07:00

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Happy New Year's Eve! Only five this one, I've got somethin' else planned for the top 20. (Shoulda planned that better...) I'll finish the list up starting later tonight, or tomorrow on the New Year. Enjoy.

#25. Yellow House

by Grizzly Bear (2006)

Sufjan Stevens meets Sigur Ros anyone? Everyone has made such a big hoopla over newest album Veckatimest (which is of course great...one of only two albums to make this list from '09) that they seem to have forgotten the majesty of Yellow House. I find this album to be a lot more subdued and natural, where the newest one almost sounds forced. This one just has a slow burning drive to it that is so hypnotic and dreamlike. Its an album that has to be discovered in the right mindset. I'm always mesmerized by music that can give me that odd but relaxed feeling of being half-awake. Somehow that feeling never gets old.

#24. Clap Your Hands Say Yeah

by Clap Your Hands Say Yeah (2005)

I was first intrigued by the DIY approach of this group. Hard work, self-promotion, and word of mouth can do a lot these days. But none of it would work without a virtually flawless album full of quirky grooves and brilliantly unique vocals. You have to have the right type of sound to get away with singing the way Alec Ounsworth does. Sounding like your just a tad nuts definitely helps. This album flows so seamlessly and never once misses a step, start to finish. The test has to be "The Skin of My Yellow Country Teeth." Your opinion of that song will probably decide if you'll like the album or not. It worked for me.

#23. Agaetis Byrjun

by Sigur Ros (2000)

I always tell people the easiest way I know to describe Sigur Ros is to imagine what a "rock" band from Rivendell might sound like (if you need help with the "Rivendell" reference, shame on you.) Unlike many, this album wasn't my first encounter with the band, otherwise it might be a little higher on the list (maybe #21?) based on shock value alone. Nothing can prepare you for what this group brings to the table. It's hard to comprehend how a band can sound so epic in such a relatively quiet fashion (probably to do with that cello bow guitar work...). Whatever it is, it's nice to know the vast cosmos will always have a soundtrack.

#22. O Brother, Where Art Thou? (Soundtrack)

by Various Artists (2000)

Part of the reason O Brother, Where Art Thou became one of my very favorite movies is because of its equally amazing soundtrack. It definitely had a big effect on my perception of that "old timey" sound, and I know I wasn't the only one. Some groups that made this list probably wouldn't have if I had never heard this soundtrack, (Sufjan Stevens, Nickel Creek, Love Psychedelico, Guster, Kings of Convenience) as well as a few I'm just getting into now (Bon Iver, Joshua James). A very influential album for me.

#21. ( )

by Sigur Ros (2002)

No title? No song names? Not even one word of actual language? The longest song is 13 minutes?? THIS was my first encounter with Sigur Ros. It is a difficult listen for the average Joe, I can imagine. What I like about it that previous album Agaetis Byrjun didn't quite manage is its consistent, continuous mood. Sure, it's a somewhat grim and dreary mood (it kind of matches the crap weather we're getting right now). But there is a deep emotion throughout that lingers long after it's done. Like you've just seen a beautifully sad film. The climactic final track is one of the grandest of all finales . A great musical experience, if you have the patience.

FAVORITE ALBUMS OF THE 00'S: 50-26

2009-12-30T19:25:00.019-07:00

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#50. Deep Forest

by Do As Infinity (2001)

This album sounds like Japan. It reminds me of walking the streets of the big cities, and each track sounds like the opening theme to some anime or video game (the title track was actually the theme song to the anime "Inuyasha"). I tend to listen to this album a lot when I think about Japan. Just pure and simple J-pop, and it always puts a smile on my face. Besides...they always have good album covers (wink wink).

#49. Grateful Triad Years: 1998-2002

by Thee Michelle Gun Elephant (2002)

I had barely heard "Last Night" from The Strokes before I headed out on a mission, but I wasn't impressed. Crappy old-school butt rock? Who needs that? It wasn't until my buddy Kiyo Fuji (whom I found had similar taste in music) gave me this birthday present that I first embraced the raw energy and grit of the "garage rock revivial." These dudes were rockin' Japan earlier (and harder) than either them Strokes or them White Stripes. Maybe not quite as great as the aforementioned, but any true fan of rock n' roll needs to hear the tunes "Smokin' Billy" and "Free Devil Jam" (LOUD!).

#48. The Black Parade

by My Chemical Romance (2006)

This one gained tons of browny points for converting me despite my better judgement. I truly was determined not to like it, but its not something you can resist when the songs are this large and in charge. I couldn't help conjure up obvious images of Queen, or maybe Jack White taking over Green Day. Comparisons aside, this band was able to fuse it all into a sound their own. Goes to show that great songs and a whole lotta passion can always prevail.

#47. Wallpaper For the Soul

by Tahiti 80 (2002)

This group was also introduced to me by my friend Kiyo Fuji. The singer has less control over English than his other French contemporaries, but the simple lyrics add to the pure, no-nonsense tunes. More groups need to make great pop like this. ABBA would be doing the same thing today I'm sure. 70's disco with a little modern hip-hop flair. Its as good as it sounds.

#46. Sounds of Silver

by LCD Soundsystem (2007)

I've always been a sucker for a good groove. This decade ended up having some of the greatest, most sincere, and artistic dance music ever, and it seemed to hit a brilliant high with Sounds of Silver. James Murphy pulled off the producer turned performer beautifully on his debut, but it was this sophomore effort where he truly showed off his abilities as a songwriter. Tongue in cheek humor mix with poignant reflection, often in the same song, and he doesn't miss a single step for nine genius tracks. Rarely does dancing sound so life-changing and epic.

#45. The Information

by Beck (2006)

I think the one thing putting Information slightly above Sounds of Silver is Beck's impeccable and possibly underrated knack for melody. Similar to Gorillaz, Beck manages to take out the jackass egos and vulgarity of popular hip-hop and make it poptastic and emotional (and therefore listenable). I really appreciate it when that happens. I keep thinking if I was a famous (and talented) musician, this is the kind of album I'd like to make.

#44. Elephant

by The White Stripes (2003)

The first time I heard "Seven Nation Army" I was stunned to figure out it was a "new" song. I wasn't fully convinced until I heard "Black Math." When Jack ripped through the middle of it with his monster guitar and his Elvis-on-steroids roar I was floored. This album sounds like it was recorded in one take and thrown on tape for you to like it or not. And I did.

#43. Reflector

by Killing Heidi (2001)

I had heard of this group as I became semi-obsessed with all tunes Australian. Enough 90's alternative to appease my still very 90's soul, but enough pure pop brilliance to keep it alive through the decade. Something about it is just so innocent and fun. Could have something to do with the singer being only 17 at the time. Whatever it is, I still really enjoy it.

#42. Get Behind Me Satan

by The White Stripes (2005)

I wondered how a band could follow something like Elephant without doing the exact same thing. Apparently this is exactly how you should do it. Throwing in blues piano over the guitar was the perfect ingredient to keep it interesting. Singing about Rita Hayworth left and right was an added bonus.

#41. Quiet Is the New Loud

by Kings of Convenience (2001)

Extremely heartfelt and intimate. About as raw and passionate as The White Stripes, but on the opposite end of the spectrum. I didn't hear this (their first) album until long after I'd heard their second. By then it didn't take much convincing. One of the most honest and beautiful groups out there. Always good.

#40. White Pony

by deftones (2000)

Slipknot. Godsmack. Papa Roach. These are a few of the groups I was listening to at the turn of the decade/century/millenium.. Deftones fits right in there. But, something changed for this group in the 00's that filtered them out of the previous company. Their atmospheric, experimental, and (dare I say) "artsy" metal was miles above the 90's nu-metal crap of the rest. This album is more My Bloody Valentine than Limp Bizkit. I dare say my liking of groups like Sigur Ros, Mogwai, Serena-Maneesh, and to a degree Radiohead, can be traced to this album.

#39. Why Should the Fire Die?

by Nickel Creek (2005)

I developed a keen liking to this group after my mission. But it wasn't until we overplayed this final (?) album at work that I truly saw their songwriting brilliance. Tracks like "Can't Complain" and "Doubting Thomas" beautifully rip your heart out, then on "Scotch & Chocolate" they melt your face off with their wicked solos. One of the most talented groups there is, no doubt.

#38. Deep River

by Hikaru Utada (2002)

Japan's answer to Brittany. Take away the drama, add the ability to write your own stuff, and throw in a lot more class, and you get Hikaru. She has a couple English albums (going by just "Utada") but they aren't nearly as good as this sublime J-pop classic. It was the biggest thing around on my mission, so naturally I had to get it. (Fans of the game Kingdom Hearts already know this gal, since she does the theme songs.)

#37. Gorillaz

by Gorillaz (2001)

I never quite got into Blur. But I think we were all a little blown away when Damon Albarn threw Gorillaz at us. Remember that "Clint Eastwood" video? Genius. Genre mashup perfection. If only more hip-hop were like Gorillaz. If only more pop were too. And rock.

#36. Silent Shout

by The Knife (2006)

Techno? Haven't really cared about that since Mortal Kombat. Wait, here's something interesting. The Knife...? Oh wow, so this is what it sounds like when creepy Swedish ice goblins get a hold of techno! How amazing! Its as if they've been creating this in some snow cave and the last 20 years never even happened! Cool.

#35. Ten Silver Drops

by Secret Machines (2006)

What I like about this album is how it seamlessly mixes epic pop melody into drawn out space rock. That's not supposed to work, but it does, and all of the sudden seven minute songs don't seem so long anymore. Throw in a thumping groove with a talented rhythm section and you strike gold with tracks like "I Hate Pretending."

#34. Med Sud I Eyrum Vid Spilum Endalaust

by Sigur Ros (2008)

Sigur Ros has not made a bad album. Not a single one. When you make epic elven rock for the Gods, I suppose it has to be this way. But on this album they bring it down to Earth a little more and let us humans sit around the campfire with them. The most "pop" of their albums, and still far more epic than most anything else out there.

#33. Heroes to Zeroes

by Beta Band (2004)

A perfect example of making music out of sound in general. Beta Band is technically a rock band I suppose, but why stop with just guitar, bass and drums? Everything is welcome to the party! As their last album, it is a fitting and grand finale. A sly, mischievous humor floats over the whole thing, and it fits my personality very well.

#32. Give Up

by The Postal Service (2004)

I had no idea who Death Cab for Cutie was. All I knew was this dude's quiet voice and poetic love poetry fit perfectly over the fantastic electro beats and grooves. I don't think I'm the only one who finds this more appealing than Death Cab itself. In my opinion, it has a lot more life to it. Too bad there was only one album. Unless you count the myriad of lesser clones that came out afterward.

#31. The Invisible Band

by Travis (2001)

This was the go-to feel-good album of the decade. Positive lyrics and bouncy, happy jingle jangle. Almost like what Radiohead might have sounded like if Thom & Co. took a lot of Prozac. They were Coldplay before Coldplay came along and became Coldplay. A great, beautiful album, and the first people I ever noticed do the faux-hawk. And not one of them is named Travis.

#30. It's Never Been Like That

by Phoenix (2006)

It took me a bit to finally come around to this group. The cover deceived me into thinking it was another cookie cutter Strokes clone. But when I finally heard them, I realized they were something much better: It was Phoenix! It wasn't a watered-down Strokes, if anything it was a juiced up Strokes, with dance grooves to spare. Eiffel Tower, move over. Phoenix is the new French landmark.

#29. First Impressions of Earth

by The Strokes (2006)

The same year Phoenix slowly but surely blew me away, The Strokes proved they were still the kings of retro-rock guitar noodling greatness. I'm not sure why this album gets panned so easily. Half of it is comprised of some of their best songs they've ever done. Granted, the other half isn't exactly TOP notch, but the good far outweighs the bad to me. Its a flawed album that somehow shines all the better for it.

#28. Copia

by Eluvium (2007)

How did this New Age background music of an album end up being one of the most played albums on my iPod? Well, it makes me feel like I'm swimming in an anti-gravity pool in space. It makes me feel like I'm enveloped in a pillow of cloud candy. It reminds me of a higher meaning to life. It dissipates stress almost completely. I suppose that's all reason enough.

#27. Don't Believe the Truth

by Oasis (2005)

Finally! I was waiting for this album ever since '95 when (What's the Story) Morning Glory came out. No, its not nearly as good as that classic, but its far and away the best beside it. This album was stripped of any fake tricks or over indulgence and they just rocked it out with their stadium sized melodies like they hadn't all decade. Finally! And apparently they broke up this year. Wah wah wah. We'll see I guess.

#26. Wincing the Night Away

by The Shins (2007)

Spongebob (not Garden State) actually converted me to The Shins when they appeared on the movie soundtrack (great soundtrack by the way). So I was expecting something like that song when I bought Chutes Too Narrow, but (to me) it failed to live up to the hype. It was good, just not what I was expecting. So when Wincing came out, I was skeptic. This album turned out to be exactly what I was expecting from The Shins in the first place. I know its blasphemous to some, but this, to me, is their most accessible, melodic, and best album. I'm a fan now.

FAVORITE ALBUMS OF THE 00'S: 75-51

2009-12-26T13:42:00.023-07:00

BACK TO 100-76

(HAVING PROBLEMS WITH THIS POST FOR SOME REASON...HOPE ITS READABLE...)

#75. Veckatimest

by Grizzly Bear (2009)

Baroque-space folk-pop (?) Still new-ish, but its inching up the decade list.

#74. Renegades

by Rage Against the Machine (2000)

The great Rage's last one. This is how a cover's album should be done.

#73. Silent Alarm

by Bloc Party (2005)

A promising group that sorta fizzled out after this. Boy what a fabulous punk-funk debut, though.

#72. Moon Over the Freeway

by The Ditty Bops (2006)

Dang these alt-vaudeville gals are fun. Great live show, too. Too bad they're lesbians. Or not.

#71. Discovery

by Daft Punk (2001)

I only barely heard this whole album for the first time this year. Still "discovering" its brilliance.

#70. Tyrannosaurus Hives

by The Hives (2004)

Retro punk deliciousness.The audio equivalent of caffeine. And just as addicting.

#69. The Mouse and the Mask

by DangerDoom (2006)

Cartoon Network's Adult Swim+One of the best producers (Danger Mouse)+One of the best rappers (MF Doom) = I like.

#68. Weezer (Green Album)

by Weezer (2001)

The last album I cherished before I went on the mission. The last summer album of adolescence.

#67. Message

by Mongol 800 (2001)

Extremely talented and fun pop-punk guitar chugg-chuggery. Great for a drive on the town.

#66. X&Y

by Coldplay (2005)

My least fav of their's, but it is Coldplay after all. Don't be a hater.

#65. Keep It Together

by Guster (2003)

Guster's best working of harmonious melody and folk rock grooviness.

#64. Fleet Foxes

by Fleet Foxes (2008)

Bringing back the four-part harmony folk to the masses. And its even better live.

#63. Dear Science

by TV On the Radio (2008)

This is exactly why more black dudes should take part in the "indie" avant-garde.

#62. The Shepherd's Dog

by Iron & Wine (2007)

Lots of Twilight fans have heard this album by now. Sam Beam should have a full band with him at all times.

#61. III

by Love Psychedelico (2004)

The group's third album of electro-country-rock goodness. Representing some of Japan's best.

#60. Unrest

by Erlend Oye (2003)

This half of Kings of Convenience is obviously the fun half. Fantastic dance album.

#59. Wolfgang Amadeus Phoenix

by Phoenix (2009)

Instant '09 classic, still marinating. If The Strokes had a baby with Kelly Clarkson, it would be this band.

#58. Viva La Vida Or Death and All His Friends

by Coldplay (2008)

Probably the most eclectic of Coldplay's albums. Beautiful and emotional.

#57. Puzzle

by Tahiti 80 (2000)

Them Frenchies sure do know how to make great dance pop. (See also: Daft Punk, Phoenix, Justice)

#56. Relationship of Command

by At the Drive-In (2000)

Before the split into Sparta/Mars Volta, these guys rocked to perfection on their final effort.

#55. Is This It?

by The Strokes (2001)

The slightly overrated but still brilliant debut of the garage rock revivalists.

#54. Get Born

by JET (2003)

Not nearly as unique or genre defining as Is This It?, but it's twice as fun.

#53. Nickel Creek

by Nickel Creek (2000)

First major label debut with Alison Krauss producing. And what a beautiful one it is.

#52. Evolver

by 311 (2003)

Not the mega-fan I once was, but Evolver is definitely one of their more adventurous and sincere albums

#51. Happy Songs For Happy People

by Mogwai (2003)

Winner for most sarcastic title. Brooding and epic post-rock instrumentals.

FAVORITE ALBUMS OF THE 00'S: 100-76

2009-12-21T16:39:00.037-07:00

Well, here begins my list of favorite albums of the decade. Bare with me while I pontificate a sec...(or just skip to the list).

KEEP NOTE: its not a presumptious "BEST OF" list, it is simply MY favorites. Who can even determine what is the "best?" You can't in art. Its impossible. The closest you can get to logically assuming such a thing is a vote on popular critical consensus (for such a list, check Metacritic's critic compilaion here ), but thats still just critic "opinion." Some might even suggest looking superficially at what sold the most, but that never works, especially in this digital age. (For that info, look here if you want to...)

Speaking of that, isn't it incredible how the music climate has changed this decade? I read something interesting in Rolling Stone. The record for most units sold in a week ever is held by Nsync's No Strings Attatched back in 2000 (2.4 million). In a recent week in 2009, that 2.4 million is more than the entire top 200 combined. It went from its peak to rock bottom this decade. Yet, despite the industry's downfall, more music (and BETTER music) has been coming out than ever before. It has been an insane decade: politically, culturally, economically, and artistically. Our music continued to mirror the world around us, and the results were anywhere from terrifying to blissfully hopeful.

A lot of amazing stuff. And as usual, it's ranking ends up being opinion. Like I said with the songs, these are the ones that I kept coming back to. The albums that defined me in the 00's. I don't care what they did to culture, or what elitist websites, magazines or friends think about them. Hence the absence of Arcade Fire's Funeral, or anything Animal Collective, for example. Everyone seemed to love these groups this decade, and while I did enjoy them, they just didn't click with me.

Fun Fact: I'm proud to say this list is pretty international. Nations with featured artists: (order of quantity per nation)

USA

ENGLAND

JAPAN

AUSTRALIA

FRANCE

SCOTLAND

NORWAY

SWEDEN

ICELAND

& CANADA

Three different languages show up (English, Japanese, Icelandic) and even a couple albums in complete gibberish. Obviously a Euro-centric mentality when you speak English. But at least I got Asia in there. Although the USA has the most artists on the list, not a single album in my top ten is from the US. Kinda interesting breakdown.

Anyway, lets get to it. I hope you'll be intrigued enough to check some of these out that you didn't know. They are all great, in my humble opinion.

I decided to have the 100 spot be a three way tie between a few albums that all had a significant impact on me upon their initial release, but I haven't really listened to them much since. Still, the impact was big enough I thought they should be mentioned.

#100. Lateralus

by Tool (2001)

#100. Morning View

by Incubus (2001)

#100. No Name Face

by Lifehouse (2000)

I loved all these back in the day, and now and then I still enjoy them. Still fun to listen to.

#99. Com Lag (2Plus2IsFive) E.P.

by Radiohead (2004)

Only a short E.P. of b-sides and remixes, but they happen to be some of my very favorites.

#98. deftones

by deftones (2003)

Shoegaze metal is so cool. I don't care what you say. Deftones rule.

#97. Carnavas

by Silversun Pickups (2006)

Even a mere shadow of the 90's Pumpkins is good enough these days.

#96. Some Loud Thunder

by Clap Your Hands Say Yeah (2007)

A sinfully underrated sophmore album. Quirky in all the right places.

#95. Let Love In

by The Goo Goo Dolls (2006)

Always a soft spot for the Goo. To the point and great pop songs.

#94. Cross

by Justice (2007)

Acid electro-dance that you can head bang to. Go France!

#93. Death Magnetic

by Metallica (2008)

The boys bring back a little bit of that rifftastic glory of yester-decade.

#92. Raising Sand

by Robert Plant and Alison Krauss (2007)

Most unlikely couple & one of the most surprising albums of the decade.

#91. This Side

by Nickel Creek (2002)

Dem Nickel Creek kids do me right every time. Das da troof.

#90. A Certain Trigger

by Maximo Park (2005)

High energy new wave punksters with epic melodies and beats to spare on this'n.

#89. Thunder, Lightening, Strike

by The Go! Team (2005)

This album really makes me wish I was a jump-roping cartoon. In the 70's.

#88. Hopes and Fears

by Keane (2004)

Probably the best voice in the myriad of Thom Yorke impersonators. Including Thom.

#87. The Ditty Bops

by The Ditty Bops (2004)

This album makes me wish I was a vaudeville cartoon. In the 30's.

#86. ぽ (Po)

by B-Dash (2002)

Gibberish lyrics = fun for everyone. One of the funnest/funniest albums all decade.

#85. Speak For Yourself

by Imogen Heap (2005)

Sometimes cheesy, but always catchy and fun. A Chris & Cass road trip fav.

#84. Sea Change

by Beck (2002)

(sniff) Poor, sad Beck. You've done made us all cry now.

#83. LOVE

by Mika Nakashima (2003)

On the shortlist for sexiest album of the decade. Smokey Japanese jazz-pop.

#82. Howl Howl Gaff Gaff

by Shout Out Louds (2005)

When you think "slightly emo Strokes," it doesn't sound so good, but oh it sure is.

#81. Hissing Fauna, Are You the Destroyer?

by of Montreal (2007)

Amazing how an album can sound so insane and fun at the same time. Brilliant.

#80. The Life Pursuit

by Belle and Sebastian (2006)

I really should like this album more than I do. Cuz its so friggin poptastic.

#79. Breakaway

by Kelly Clarkson (2004)

I really shouldn't like this album as much as I do. But its so friggin poptastic.

#78. Neon Bible

by Arcade Fire (2007)

Such pure emotive intensity is a rare treat these days. (I should like this more, too.)

#77. Serena-Maneesh

by Serena-Maneesh (2006)

I swear I have dreams that sound like this album. Very surrealistic rock.

#76. The Garden

by Zero 7 (2006)

Electro jazzy goodness. Another sexiest album contender. Good for those cold nights.

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And here you have it, the TOP TEN songs of the decade, as opinioned by yours truly. Let me know if the links are troublesome...I have no clue why it decided to double space everything either.

Top Albums to come soon! I was gonna do it next week, but its probably gonna be a busy one, so perhaps the week after.

#10. Careful

by Guster (2003)

This is one of the rare tracks on this list (especially being so high up) that was actually discovered on the radio. I've never heard it there since, so I must have just been in the right place at the right time. I waited long enough to find out who it was, and went right out to buy the album it came on. Since then its become one of my favorite songs to sing along to. I actually can't help it. If its on, I'm singing right along. Doesn't matter where or with whom.

#9. 12:51

by The Strokes (2003)

Like many a tune on this grand list, this song converted me (hard core) to a band I didn't like. I can't quite remember if it was the Tron music video or the Nintendo guitar work that first snagged me. Maybe it was the super catchy pop song disguised as a hipster hook-up track. The impeccable melody? Or perhaps it was the start of the 80's becoming cool again. Could it have been their ever-present New York swagger and ultra-Italiano names? Well, no, cuz one is named Albert Hammond, Jr. It must have been that awesome misheard lyrics Youtube video. No...I made that years later. Hm...perhaps it's not that good after all?

#8. Come On! Feel the Illinoise!

by Sufjan Stevens (2005)

When it starts with a lil' bit o' Charlie Brown piano, you know its gonna be a good one. Following the quiet prelude opener and Legend of Zelda-style build up introduction of the first two tracks, Suf's massive Illinoise album officially kicks off with this genre-blurred extravaganza. I feel it, Suf. I feel it. If you haven't heard this man before, here is a great place to start. There's only one other tune this decade that left me with such an overwhelmingly positive first impression of an artist. Which brings me to #7...

#7. Yellow

by Coldplay (2000)

Buddy Blair and I were chillin' late one night, watchin' a little VH1 or MTV like we did on occasion (at least they still played videos at night back then), and out of nowhere comes this odd video of some goofball walking on the beach... singing a wonderful little pop nugget. I remember both of us being completely floored by it, wondering where the heck it came from. It had been such a long time since we'd heard such a great, straightforward, and sincere tune (If you look up what was ruling the charts at the time, its no surprise.) We didn't know who they were, but we waited patiently until their album came out so we could support these unknown Brits. Turns out they really didn't need our help.

#6. Across the Night

by Silverchair (2002)

My buddy Lee once said this song was "magical." (If you know Lee, that fact should have a little more power to it.) When I think "orchestral rock" this is the first thing that comes to mind and the explosive opening says it all. Dan-o has some pretty impressive bragging rights when it comes to vocals, but never has he laid it down better than he does right here. The idea of the Diorama album was to encourage escapism. With this opening, the door to another world is blown wide open. Magical indeed.

#5. The Lighthouse's Tale

by Nickel Creek (2000)

It almost doesn't seem fair that three of the most brilliantly talented musicians around also have an incredible knack for melody as well. Not that I'm complaining, cuz then we get wonderful alterna-grass (I think I made that up) tunes like this to grace our eager ears. Few songs become "favorites" instantly, most have to marinate over time. But I knew this beautifully sad tune would end up high on this here list the first time I heard it.

#4. Glosoli

by Sigur Ros (2005)

I first heard this while watching its accompanying video. There is such an incredible innocence to this song about a boy on a journey to find the sun, and it's captured perfectly by the video. (And by the looks of things, Iceland has quite the collection of beautiful pixie children.) Its kind of embarrassing to admit but I was nearly overcome with emotion by the end of it. So pure, epic and amazing. And few, if any, do that better than Sigur Ros.

#3. Everything In Its Right Place

by Radiohead (2000)

While it doesn't quite top the list, it's safe to say this song had a bigger influence on me than any other this decade. It quite literally changed who I was. I walked into Graywhale one afternoon, (probably looking for some nu-metal or something), and the clerk began this song as if the gods of awesomeness told him I needed to be purified. I went in a Radiohater, and came out a full on disciple. I had never heard anything like it in my life, before or since. I was amazed at how Thom's voice, sampled and resampled to perfection, could carry so much pure, emotive tension. Many weeped at the guitar's absence. But to me, the title says it all.

#2. Everything's Not Lost

by Coldplay (2000)

It was a toss up between this and #3, but the one thing that puts this higher is its uncanny ability to give me hope in the grimmest of situations. While Yellow was the instigator, it was this song (and its secret song) that eventually convinced me these guys were going somewhere. It possesses that tried-and-tested Coldplay formula that's made them your mom's favorite band over the years. But, there is one thing that sets it apart from their later monster hits; They're not famous yet. As the final track on their first album, it marked the last time Chris Martin sounded timid. No expectations, nothing to prove, nothing to lose. The last time they were brilliant, without knowing it.

#1. The Greatest View

by Silverchair (2002)

As I was going through my large list of decade decadence, I started to wonder what it was about this song that really makes it better than the others. Its not the most original one here, and it doesn't necessarily even have a meaningful personal experience linked to it. Its just always good. It never gets old for some reason. I think a lot of that has to do with the melody itself. It truly is one of my very favorite melodies ever. There's just something about it that I truly connect with. Its meaningful, somewhat nonsensical, it rocks pretty hard, and has a grand sense of spirituality. Silverchair have always managed to capture the soundtrack to my life with each album, and this one song captures the "bursting from your shell" stage so perfectly to me. It kind of became my anthem after the mission. It makes me wanna stand on top of some huge mountain (or perhaps the Titanic?) and just spread my arms.

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#30. Von (acoustic Heim version)

by Sigur Ros (2007)

So, this is an acoustic live version of a reworking of an older song from their first album... anyway... It is breathtaking. I first heard it in an intimate scene on the Sigur Ros tour documentary "Heima," where the band played it live for a small group in a coffee shop or something. Beautiful, emotional, spiritual. Love it.

LISTEN

#29. 'Til Kingdom Come

by Coldplay (2005)

It didn't even get labeled as an official track on the album, but is far and away the best one on it. Originally written for Johnny Cash to perform, after he died they kept it for themselves. I like it cuz it reminds me of Cass. I sang it to her at our wedding luncheon. Badly. Awww.

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#28. Life Goes On

by Love Psychedelico (2002)

Once again, Japan takes American style and does one better. In this case, semi-gospel(ish) country rock. Singer Kumi flows seamlessly between English and Japanese and throws in possibly my favorite lyrical line of any of the songs on this list: "Falling to the end of the sky/I'm rolling over the rain/Feeling to the end of the mind/I'm growing over the pain." I don't know if that's a second-language happy accident, or poetic genius. But its great, so I don't care.

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#27. Dandelion

by Mongol 800 (2001)

Epic punk-pop done RIGHT. Awesome instrumentation aside, the lyrics are completely in semi-busted English. The reason it works is because of its naive sincerity. Its a punk Japanese kid desperately trying to write a love song to the object of his affection... who apparently only speaks English. He doesn't care if he sounds like an idiot, so long as the point comes across. Heartfelt song that really made an impression on my mission.

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#26. Welcome to the Black Parade

by My Chemical Romance (2006)

I really didn't want to like these guys. Although I liked their "Helena" track from the previous album, I wanted to put them in the "usual emo crap" bin and be done with it. And like a punch in the face, this song comes along and knocks me clean out. "Usual emo crap" is a severe misconception, and "epic" is a severe understatement.

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#25. These Days

by Love Psychedelico (2001)

One thing I love about this group is the interwoven snippets of understandable (rare in Japanese tunes) English. It's just way too endearing when Kumi proclaims, "I wanna be a cowgirl" in perfect English over the bouncy jangle of her acoustic guitar. And when you hear that "I love you, yeah" line, how can you not respond with an "Oh Kumi, I love you too!!!"? Well, you can't really.

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#24. Andvari

by Sigur Ros (2005)

Another mood chameleon. Is this an incredibly happy or incredibly sad song? Depends on YOUR mood I guess, and I think they meant it to be that way. No matter your take, what gets me evertime is the wind down of strings from about the half-way point. Undescribable beauty and fragility. Makes you wanna hold your breath for fear of interrupting.

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#23. If You Keep Losing Sleep

by Silverchair (2007)

My iPod isn't too old, but this song shot to the top of its "most played" category in '07 and still holds that top position. I had heard early live demos of it before, but nothing prepared me for the monster that would appear on Young Modern. I really don't know how to explain it. Just listen. Loudly.

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#22. Viva la Vida

by Coldplay (2008)

All I have to say is, brilliant pop is brilliant pop. And Coldplay makes some of the best of it. If yer sick of hearing it on the radio, then stop listening to the radio.

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#21. Sorry Or Please

by Kings of Convenience (2004)

I was pursuing a relationship with a gal that gave me all sorts of mixed signals, and then along came this song. It was EXACTLY how I was feeling at the time. I got over it, and found myself a Cass not a month later! I was instantly converted to this duo and their personal, yet relatable lyrics.

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#20. タダイマ (Tadaima)

by Do As Infinity (2001)

I hope you kids are looking up the English translation for some of these Japanese tunes. I didn't really listen to this song until I got home from my mission and could understand more of what it was about. The title is basically translated "I'm home!" With the memory of Japan still fresh in my mind at the time, it was a bittersweet realization that hit me pretty hard. Great lyrics, great tune!

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#19. You Make It Real

by James Morrison (2008)

This song hit me in such a personal way when I first heard it. I was so exhausted of school and everything else going on, and it reminded me of what its all for: My wifey Cass. Sometimes all you need is a to-the-point love song to take the words outta your head, and this one does it perfectly.

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#18. Pyramid Song

by Radiohead (2001)

Thom's apparently singing of a weird dream he had about the afterlife on this one, and by golly he wants you to see what he saw. This song is such a visual experience to me. Every time I hear it I feel like I can see and feel exactly what Thom did. Its an eerie, atmospheric experience. Yet, there's "nothing to fear, nothing to doubt." (And just try following that time signature...)

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#17. In My Place

by Coldplay (2002)

This is the sound of a group on the verge of exploding into the biggest band in the world, and not even realizing it. I mean, sure, they were getting popular, but look at that picture. They have no clue. They didn't even bother doing their hair, or cutting it. Even the bald one. I love that each instrument has its own vital melody to contribute to the grandioseness in this'n.

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#16. Gronlandic Edit

by Of Montreal (2007)

I was listening to this in my car the first time I heard it, and I about went off the road when that chorus of Kevins blasted in: "I'll FORGEEEE -(forgeee-forgeee-forgeee)-T! I rewound (can you even say "rewound" anymore?) it 5 or 6 times before I finally finished the rest of this fabulous song. After I put my ears back on my head, I finished the ride home. What a ride that was.

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#15. One More Time

by Daft Punk (2001)

It seemed like this song was HUGE in Japan. I heard it everywhere on my mission. And when I couldn't hear it in public, it was often stuck in my head. I still get so pumped every time I hear it! It's an exhilarating dance masterpiece. And by the way...unless you are a French robot... STOP IT WITH THE AUTO-TUNE! Baggy thugs are about as far from French robots as you can be... it must stop.

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#14. Man of Constant Sorrow

by Soggy Bottom Boys (2000)

"Hot damn, son! I believe you DID sell your soul to the devil!" When I saw this movie, I knew it would be one of my favorites as soon as I saw the "singin' into a can" scene. One of my favorite scenes (and songs) from any movie ever. Too bad its not really George Clooney singing, (that would be Dan Tyminski of Alison Krauss and Union Station). Altogether awesome!

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#13. Sense of Life

by Do As Infinity (2002)

Perfect for a spring/summer anthem. This song embodies this group's overall style into one perfect little pop nugget. Melodious, poetic, upbeat, sexy and sad all at the same time. They are so great at expressing the bittersweet in their tunes. Making instantly likable pop songs with substance while sounding similar to background music for Sonic the Hedgehog is quite a talent indeed. The Japanese have a knack for that. I miss it.

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#12. Morning Bell

by Radiohead (2000)

Any song by Radiohead (but especially from Kid A) needs to be heard on really nice headphones first. I really can't fathom how any fan of good music fails to hear the melody in songs like this. The way Thom's voice melds with that bass 'n keyboard combo in 5/4 time is completely stunning to me. Each "instrument" forms around the inherent melody flawlessly and nearly a decade later, I cannot get enough of it. I am still in awe to the sheer tension and beauty of this song.

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#11. Tuna In the Brine

by Silverchair (2002)

This could be one of the few songs I really enjoy with food in the title. (For some reason that always turns me off...) But that initial oddball skepticism of mine was washed away within about 2 seconds. With epic orchestrations by Van Dyke Parks, this is much less of a "rock/pop song" than it is a whimsical classical piece. "Over-the-top" and "theatrical" are a couple more appropriate adjectives. Daniel Johns is in top form, singing up and down and all around about breaking out of his shell of depression.

Why do I like it so much? Hell, I dunno. Its inspiring and just friggin' amazing. Do I need another reason?

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#50. It's Gonna Be Me

by *N Sync (2000)

Shutup. It's a great pop song! Ok, I admit 99% of why I love this song is nostalgia based. My affection for it probably stems from the short span me and a couple buddies spent "touring" our choreographed lip-sync performance of it at NHS assemblies...and various elementary schools around Davis County (remind me to put that on Youtube..). But it is an enormously catchy pop gem. Admit it. You kinda love it.

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#49. Harder, Better, Faster, Stronger

by Daft Punk (2001)

I didn't fully hear this song until years after its initial release, probably around the same time Kanye West aped it for his own song. Kanye's was awesome...when he let Daft Punk do the talking. Mere child's play compared to the goosebump inducing "voice-guitar" solo that bust through on this dance masterpiece.

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#48. Love Addict

by Mika Nakashima (2003)

>Hummuna-hummuna-hummuna!<

I didn't even know who Mika Nakashima was when I heard this bit of audio sexiness, but she sure sounded like a babe. And she is. If ya ask me, this throwback jazz tune sounds exactly how she looks. Which is definitely a good thing. That's why seven minutes and fifteen seconds isn't so long after all.

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#47. Into the West

by Annie Lennox (2003)

First of all, Howard Shore's beyond brilliant score for the Lord of the Rings trilogy is one of the best scores (THE best?) ever. And when this original song backed the final credits with a sigh of bittersweet melancholy, I was completely mesmerized. The perfect end to an epic.

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#46. Sakura Drops

by Hikaru Utada (2002)

I can almost guarantee that anyone who was in Japan around 2001-02 has heard this song before. There's no escaping a monster pop hit, especially when its brilliant. The fact that this gal writes, arranges, and produces her own stuff only adds to the flava'. (Take that, Britney.)

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#45. 遠雷- (Enrai)

by Do As Infinity (2001)

Language barrier or not, it is painfully obvious from the beginning how sad this song is (check out the lyrics). I can still remember feeling the heartbreak in singer Tomiko Van's voice when I first heard it. Definitely one of the saddest songs I've ever heard.

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#44. Agaetis Byrun

by Sigur Ros (2000)

Another mind-bogglingly beautiful piece of work from the elves of Iceland. The lyrics translation are as casually relaxed and wispy as the tune itself. Some of the best moments of this track are the sprite-like backing vocals that float around Jonsi's own magical whisperings.

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#43. My Kind of Scene

by Powderfinger (2001)

This one has narrated my life more than a couple of times the last decade. "Footprints on the other side/remind me where I've been, oh yeah/I'll watch from the other side." The kind of tune that helps ya dust off the shoulders and keep things in perspective.

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#42. Like Spinning Plates

by Radiohead (2001)

This scared the hell out of me the first time I heard it, in all the right ways. Rarely has a song been so pleasantly unsettling. I still have a hard time deciding if I like the live version (completely different, but every bit as brilliant) or this one better. I decided to go with the original gangster for the list.

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#41. My Favourite Thing

by Silverchair (2002)

The first track off of Diorama to grace my ears was through a video sent to me by the fam while on the mission. Twas this sad little nugget of a "love" song. Its the closest to previous album Neon Ballroom that they get, so it was the perfect bridge to one of my favourite (notice spelling) albums ever.

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#40. Cocoon (EXPLICIT CONTENT)

by Bjork (2001)

While Radiohead was frightening me into submission, Bjork was seducing me with the same results. It was the minimalist blippity-blip of the beat that first drew me in and it was the shocking poetic intimacy of the lyrics that kept me there. Apparently the words came straight from a diary page, and you can tell.

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#39. Lion Thief

by Beta Band (2004)

Aside from the awesome groove, it was the disguised hilariousness of the lyrics that really caught me on this one. The opening line is one of my favorites ever. Besides, it breaks down into a Stevie Nicks-by-way-of-Destiny's Child-"Bootylicious" beat in the middle. How can that possibly go wrong?? It can't.

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#38. You Only Live Once

by The Strokes (2006)

Another good-times bounce from The Strokes. They make quite a bit of those, don't they? This is for sure one of their best. And, "the best" of The Strokes is quite a bit better than most. (Rhyme?Sorta...) Its just infectiously groovy... not sure what else to say about it!

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#37. Low

by Silverchair (2007)

On Young Modern, the Chair boys attempt quite a variety of styles and genres without missing a step. This is their 70's summer song. Reflective lyrics, epic harmonies, and a nice honky tonk breakdown make this "Low" point one of Young Modern's highest. Meh heh heh... puns...

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#36. Your Song

by Love Psychedelico (2001)

This is such an easy breezy groove-tastic tune. My first thought upon hearing this: There are so many American/European bands that have tried to nail this typically western sound the past decade, and it amuses my soul to see a Japanese group putting them all to shame with a song like this. And it sounds effortless.

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#35. I Will (No Man's Land)

by Radiohead (2003)

Not even two minutes in length, nothing but subtle guitar and layered Thom harmonies. Breaking it down, this seems like it should just be an interlude of filler material between songs. But its the haunting lyrics, the brilliant aforementioned harmonies and a saturation of pure tension that make this my favorite song under two minutes ever, and ironically, the best song on the album it came from.

(Trivia: the 'Head song at #42 was born from playing an early demo of "I Will" backwards!)

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#34. Island in the Sun

by Weezer (2001)

This is stapled to the great summer I had before leaving on a mission. Just out of high school, hangin' with friends, summer love interests, family vacations, and not a care in the world. At the same time, there was an undertone of knowing it wouldn't last while wondering what was ahead (in the song, as well as the time I've associated it with). Growing up was made just a little easier with songs like this.

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#33. The Scientist

by Coldplay (2002)

The video nearly made me cry when I first saw it. The fact that the song itself isn't exactly "cheery" doesn't help either. One of the few songs I've actually taught myself to play on the piano (not like its incredibly hard.)

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#32. Since U Been Gone

by Kelly Clarkson (2004)

We've all heard it. But can you recall where exactly you were the FIRST time you heard it? I remember sitting in the passenger seat of my buddy Ben's car at a gas station when this came on the radio. I can honestly say I was blown away. I had to know who it was, because I wanted to crown them the new queen of pop. I was embarrassed to admit my adoration, until I noticed everyone else loved it too.

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#31. Weird Fishes/Arpeggi

by Radiohead (2007)

It was a slow burner, but it eventually claimed its place as my favorite song off of In Rainbows (the 3rd or 4th song to do this...). I love the intense build-up and the backing "heeey-aaaaah"s at the climax. I think it was seeing it live on Jools Holland that officially bumped it up. Goosebumps every time.

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#75. Two Weeks by Grizzly Bear (2009)

An instant classic this year. Genre-defying pop brilliance.
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#74. Demon Days by Gorillaz (2005)

An epic gospel ending to a three-part grand finale that finishes one fabulous concept album.

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#73. House of Cards by Radiohead (2007)

Who'da thought these guys could make such a sexy R&B groove? I Heart them.

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#72. Svefn-g-englar by Sigur Ros (2000)

Its a song about being born, from the baby's point of view... Simply amazing.
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#71. Beyond the Gray Sky by 311 (2003)

This one's dedicated to my cousin Brantly Kirkham.
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#70. It's Not Up To You by Bjork (2001)

After this song, I was sure fairies really lived in my back yard.

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#69. In Mind by Do Make Say Think (2007)

No matter what kind of bad mood I'm in, this tune'll fix it good.

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#68. We're Much Preferred Customers by The Dissociatives (2004)

Welcome to Planet Pod. Complete and utter nonsense never sounded so sublime.

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#67. Safe by Travis (2001)

The perfect song to listen to once you hit that "Oh crap, I'm an adult now..." phase.
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#66. Festival by Sigur Ros (2008)

Seeing this live was a spiritual experience. Its long, but listen to the whole thing. Loud.
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#65. Lazy Eye by Silversun Pickups (2006)

The best Smashing Pumpkins song of the 00's wasn't by the Smashing Pumpkins.
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#64. Stay Out of Trouble by Kings of Convenience (2004)

Purely heartfelt and honest lyrics like this are hard to come by these days.
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#63. Smoothie Song by Nickel Creek (2002)

The best instrumental all decade, hands down. What a talented group.
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#62. Hide and Seek by Imogen Heap (2005)

I hate that emo punks and rappers everywhere are using this song to push their crap.
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#61. Untitled 4 by Sigur Ros (2002)

Sometimes, pure, sonic emotion doesn't need a title. Or real lyrics for that matter.
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#60. 1901 by Phoenix (2009)

One of the most instantly infectious pop tunes to come out in years.
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#59. Sex on Fire by Kings of Leon (2008)

This song is carried by its flawless vocal melody. Once its in your head, it stays.
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#58. I Don't Love You by My Chemical Romance (2006)

Starts off like Coldplay's "Yellow," and ends in brilliant monster ballad bombast.
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#57. 2+2=5 (The Lukewarm) by Radiohead (2003)

You can hear Thom say "That's a nice way to start, Johnny." As track 1 on Hail to the Theif, I couldn't agree more.
LISTEN

#56.轍- Wadachi- by Do As Infinity (2002)

A dreamlike, melancholic, and hopeful song about growing up that hits all the right spots.
LISTEN

#55. Harm of Will by Bjork (2001)

(whispering) It doesn't get more intimate than this...

LISTEN

#54. Gagging Order by Radiohead (2004)

One of the simplest, most sincere, and best of Radiohead songs.
LISTEN

#53. Acid Food by Mogwai (2006)

Mogwai doesn't usually use lyrics, but the subtle sighs of guitar and voice fit perfectly here.
LISTEN

#52. Lonesome Tears by Beck (2002)

A random button on a listening station in Japan first brought this tearjerker to my ears.

LISTEN

#51. After All These Years by Silverchair (2002)

I make sure and listen to this beautiful and poetic song of resolution every New Year.

LISTEN

next: 50-31

100 FAVORITE SONGS OF THE 00's: 100-76

2009-12-14T21:27:00.009-07:00

You know I'm a list nerd.

How can I pass the opportunity to create a DECADE list?? To be honest, I've been making this list since 2009 began.

This is a significant decade for me, it being the first full decade I was able to fully appreciate the music around me as an adult with a decently educated opinion. It also will probably be the last full decade of being able to pay so much attention to it all as much as I have. Soon as kids and work, etc., start coming up, I'm sure those'll take priority. We'll see. I'm sure I'll find time somewhere.

I do these lists for a couple reasons:

a.) I don't keep a journal, but sometimes I do like to record significant things about who I was at a certain time. The music I listen to is a big part of who I am, I really enjoy looking back on it and I hope maybe others might as well.

b.) Since its such a big hobby of mine, I love sharing it with people. I like to show people great tunes, and why I think they are so great.

c.) Its fun. I enjoy writing, I enjoy music, and I like making lists. Badabing, badaboom.

But, enough chat, lets start things off. This is a list of the 100 (that's right) songs that most affected me this decade. These were the tunes I kept coming back to for whatever reason. But, 100?? Believe me, it was harder to narrow it down to 100 than it was to order the songs themselves (which is why I decided to include a bonus one). These are the songs that defined me.

You don't have to listen to them all, but the links are provided for your curiosity! Click away, give it a second to load up, and enjoy. Let me know what you think! (Check back daily for the continuation!)

BONUS #101. Trying by Lifehouse (2000)

Beautiful instrumentation throughout, & nothing like their radio hits.
LISTEN

#100. When the Day Met the Night by Panic at the Disco (2007)
The song that convinced me to pay attention to my least favorite band.
LISTEN

#99. Sooner by Asobi Seksu (2004)

The sexiest wall of sound this side of My Bloody Valentine.

LISTEN

#98. So Here We Are by Bloc Party (2005)
A romantic sounding nugget of goodness that landed on my wedding mix.
LISTEN

#97. You Belong by Hercules and Love Affair (2008)

A bit of 90's dance brilliance sung by a couple o' talented she-males.
LISTEN

#96. The Denial Twist by The White Stripes (2005)

Guitar god he may be, but my favorite Jack White is the piano man.
LISTEN

#95. On A Neck, On A Split by Grizzly Bear (2006)
When this thing burst around 3:05, its oh so exhilarating indeed.
LISTEN

#94. Man of the Hour by Pearl Jam (200)

The song that made me cry at the end of Big Fish. More than once.
LISTEN

#93. The Rip by Portishead (2008)
Scared the hell out of my inner child, but left the adult coming back for more.
LISTEN

#92. The Underdog by Spoon (2007)
If you aren't hooked by the first 20 seconds, you might not have a soul.
LISTEN

#91. You Ate It by Love Psychedelico (2002)
You want "swagger?" Eat this bit o' groovtastic acoustic riffery and call me in the morning.
LISTEN

#90. Reset by Mutemath (2006)
If your headphones were human, they'd probably make out with you for this one.
LISTEN

#89. Hope There's Someone by Antony and the Johnsons (2005)
Strange, captivating, hypnotizing, haunting... and completely beautiful.
LISTEN

#88. One Time Too Many by Phoenix (2006)
Depending on your mood, this could either be the happiest or saddest sounding song ever.
LISTEN

#87. Think I'm in Love by Beck (2006)
Beck's in love again, but it makes him nervous to say so. We hear ya, Beck.
LISTEN

#86. Comfy in Nautica by Panda Bear (2007)
Mammals unite! Panda Bear from Animal Collective makes a Lion King song!
LISTEN

#85. 真実の詩 (Shinjitsu no Uta) by Do As Infinity (2002)
The intro alone should shatter that language barrier for you.
LISTEN

#84. Lifting the Veil from the Braille by The Dissociatives (2004)
I affectionately refer to this one as an "electric cowboy jam."
LISTEN

#83. Colors by Utada Hikaru (2003)
I heard this one in a taxi on my mission, and it was stuck in my head until I got home.
LISTEN

#82. Australia by The Shins (2007)
If "Happy" and "Go Lucky" had a kid, it would definitely be this song.
LISTEN

#81. Bodysnatchers by Radiohead (2007)
Try NOT moving your head to the chug of them guitars. Impossible.
LISTEN

#80. Live Without It by Killing Heidi (2001)
I love the guitars in this. A very 90's sounding alt-pop-rock song. That's a good thing.
LISTEN

#79. Prelude for Time Feelers by Eluvium (2007)
Very much a modern Moonlight Sonata. Exquisite! Beethoven would be proud I think.
LISTEN

#78. Memory Lane by Jake White (2000)
A subtle, spiritual acoustic jam that kept me alive for two years in Japan.
LISTEN

#77. Such Great Heights (Postal Service cover) by Iron & Wine (2003)
Sometimes, a cover is better than the original. Danced to this at my wedding.
LISTEN

#76. White Winter Hymnal by Fleet Foxes (2008)
A harmonious folk-pop round that sounds like something kids should learn in pre-school.
LISTEN

next : 75-51

RED NINJA: ALTERNATE HAPPY ENDING

2009-11-04T00:29:00.002-07:00

So the story goes.... when my lil' nephew Kyler saw the original tale of the RED NINJA, he was extremely saddened by the fact that our hero didn't get candy in the end after his extensive training regimen . Uncle Chris...I mean...the RED NINJA deserves candy, too! (Even if he did try to jump the kid...)

I couldn't bare the thought of Ky guy being saddened by my video, so we have presented this Alternate Happy Ending version for him, and all you other softies out there.

Enjoy.

Kidchair Halloween Special

2009-11-01T19:17:00.002-07:00

Behold....

THE RED NINJA

Sometimes....

2009-09-13T15:16:00.003-06:00

... I just can't take it all.

(I figured the blog was a good place for that statement since nobody really looks at this....that way I don't get bothered by having to explain why.)